"I am making this statement as an act of wilful defiance of military authority, because I believe the war is being deliberately prolonged by those who have the power to end it." So begins Pat Barker's novel, Regeneration, with a letter from Siegfried Sassoon to the "Times" of London, July 1917. A lot of parallels in Barker's novel of World War I to what's been going on in the U.S. and the world since before September 11. We could stand to read books from and about WW I. Might change our aggressive responses to anything and everything not American.
Here are the fiction books I read during 2011.
In February it was more of McGuane, Driving on the Rim, and a short one from the Master, Henry James' Turn of the Screw. I'm liking McGuane more each time I read him.
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In March I read a good historical novel called Conspirata by Robert Harris, who gave us Pompeii, which I read in 2010, and liked very much. Conspirata is the story of the plot to assassinate Julius Caesar. You know me and gladiators, Romans, and aquaducts, just can't get enough. Also read Colum McCann's Zoli, a very moving novel of a gypsy woman and her clan. I got lost in the time shifts, but the critics seemed to like it a lot.
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French novelist Michel Houelbecq |
In June I read Vladimir Nabokov's Laughter in the Dark and Edward Abbey's The Monkey Wrench Gang. Laughter in the Dark, I must admit, is not one of Nabokov's better books. It contains his penchant for older man younger woman, very young woman, and I'm still to this day trying to figure out the "why" of the book.
Edward Abbey's The Monkey Wrench Gang is a great book. It is a book of movement, hilarity, drunkenness, saboutage, sex, the hot hot sun of the southwest, and I tell you, while I scratched my imaginary five o'clock shadow and squinted as I took a pull on the sixth beer I wasn't drinking, I loved every minute of it.
In July I read James Jones' Some Came Running, which I got at the Santa Monica Library's bookstore for $2.00. I've been wanting to read it for a long time, and I was not disappointed, except for the irritation factor which Jones employs by not using apostrophes when he writes contractions, and then there's this style he likes of stating a noun in a sentence, and then in the same or next sentence using that noun's adverbial form, and then adverbially again, and again. Mr. Jones it appears was not in the habit of listening to his editors. (Sorry, that's just me being an effete intellectual snob.) I liked the book and hope it continues to draw readers.
Also in July I read The Easter Parade by Richard Yates. In August I read Pat Barker's World War I novel Regeneration, the first in the trilogy, with appearances by Siegfried Sassoon, Robert Graves, and Wilfred Owen. I really enjoyed this book and am looking forward to the next two.
Also in August I finally finished Naguib Mahfouz's Palace Walk, the first in the Cairo trilogy series. It was a very long book, but it was also very good. Mahfouz's expose of the male-dominant, male-hypocritical dominant culture of WW I Egypt, its occupation by the Allies, its Ottoman Empire backwardness, and its social customs that suppress women to the point of a scrap metal crusher can sometimes make for frustrating reading; but it is important to read him, I feel, it is very important. Mahfouz, winner of the Nobel Prize, was (toward the end of his life) shot by a would-be assassin's bullet, an Islamic fanatic who didn't like the author's parodies, to say it mildly. But he continued. Individuals with a voice for individual freedom and the freedom of others often get in the way of the violent swing of the moralist's hammer. The characters in Palace Walk are very likeable, and the misfortune of living in an occupied country and being hamstrung by religious fundamentalism causes one [the reader] compassion, not condescension. Christopher Dickey of Newsweek writes:
"Palace Walk, first published in 1956, is the best of Mahfouz's work. He drew heavily on autobiography (like the character Kamal, he was the youngest son in a large merchant clan). He writes about family, and to understand the Egyptian family is to understand, more clearly than any political treatise can explain, the soul of the country."
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Egyptian novelist Naguib Mahfouz |
Also read Anne Enright's The Gathering and Daniel Woodrell's Tomato Red. Lots of anger and yelling in Enright's book, especially at a time of death; lots of anger and blame and melodramatic stuff that you need more than tea to swallow down as you read it. Tomato Red however is a horse of a different color. It's a very strange book, set in Ozark country, told in powerful prose with the strange leaking bizarreness of smaller than small-town life. I'll read more Woodrell for sure. Then came Julian Barnes' Flaubert's Parrot. This was more interesting (for its biographical sketchs of French novelist and national hero Gustav Flaubert and his contemporaries) than it was meaningful reading (as a novel). I haven't given up on Barnes, so don't worry. But Flaubert's Parrot I feel was written for the academic literati, and therefore not as clever and brilliant as everyone thinks. But that's just me being an effete intellectual snob.
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Vlad Dracul, the Impaler, Count Dracula |
The Only Problem is unusual, "an extremely sophisticated account of the perils that surround our unsuspecting lives in the world today and a disputation on the subject of the Book of Job, which she calls 'the pivotal book of the Bible.'" [Anita Brookner, The New York Times]
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Joseph O'Neill |
I liked Netherland more than I expected; lots of Brooklyn, shady immigrants, post-September 11 anxiety, and a troubled marriage. I'm not doing the author justice (but I recommend it highly) Netherland is the "story of a family. The narrator, Hans van den Broek, is a Dutch-born equities analyst who lives in a TriBeCa loft with his British-born wife, Rachel, and their son. When 9/11 forces them to flee uptown, they end up living...in the shabby-glamorous Chelsea Hotel, and it is there that their marriage slowly cracks apart. The book’s second story line is about the solace Hans finds in the vibrant subculture of cricket in New York, where he is among the few white men to be found on the hundreds of largely West Indian teams in the city, teams that fan out, in the hazy summertime, across scrabby, lesser-known public parks." [Dwight Garner, The New York Times]
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October was a busy month for reading, probably because like August and September, the six furlough days I had to take from work gave me down time and escape time. Only negative there is escaping into literature isn't going to pay the bills. Nevertheless, here's to October: The Last Good Kiss by James Crumley; The Great Leader by Jim Harrison; On Beauty by Zadie Smith; and A Man of Parts by David Lodge.
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Author photos: James Crumley, David Lodge, H.G. Wells |
The Great Leader by my hero Jim Harrison is subtitled a faux mystery. But it wasn't so; he followed the structure of a good mystery and entertained us (as he usually does) with his love of food and poetry and drink, and his love of the exquisite bottoms of young women; so many sexual meanderings to the point of well, damn, the book had to come to an end someplace. Unfortunately.
November gave me Barbara Kingsolver's The Lacuna; Pete Dexter's Paris Trout; Sam Lipsyte's The Ask; and Jim Harrison's Warlock. This was some month, aside from Thanksgiving.
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Artists Frida Kahlo and Diego Rivera |
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Barbara Kingsolver |
Paris Trout. What can I say about the meanest sonofabitch I've come across in a long time, not since Larry Brown's character of the father in Joe. Paris Trout is a true believer; he's also a despicable human being. This is a great book. At times it was a nightmare.
"Things look different ways when they ain't clear," Trout said. "I don't forgive debts," he said. "I pay my obligations, and I am paid in return. ...you forgive one debt, ain't none of them going to pay you ever."
The nastiness of Paris Trout sent me through the roof, especially when he declares, "I don't have a cruel heart." Well, my friends, read the book.
I also read The Ask by Sam Lipsyte, which had some moments, I must admit. And then Warlock by Jim Harrison, about an unemployed foundation executive whose life becomes unhinged. I enjoyed this book very much. It's Jim Harrison.
In December it was McEwan's Black Dogs. This is a strange book, and McEwan often makes me uncomfortable, which is the pleasure I get from reading him. "The story revolves around a dramatic and terrifying event which changed the whole life of the narrator's mother-in-law, affecting her rather as Paul's vision on the Road to Damascus did him, although the experience was one of darkness, not of light. ...Black Dogs is curious and at times unpleasant. In the end, you can, as Bernard would, dismiss it as just a story, or, like June, you can look deeper and ponder the ideas further." [Courtesy of Ann Skea]
Muriel Spark's The Driver's Seat was crazy; a crazy Englishwoman in Rome. So far it's by my least favorite book from her. Cross Channel by Julian Barnes is a collection of short stories about English people who have settled in northern France, and I'm talking Middle Ages, post-World War II, any time. It's a pretty good collection. I'm looking forward to reading more of Barnes.
And that, as they say, is that.