Wednesday, December 19, 2018

Cut pieces from The Long Habit of Living - visit number two


This piece, cut from The Long Habit of Living, part of the flashbacks in time to New York City, was intended to add to the main character Owen’s crumbling life philosophy, that the one person he had always depended on, other than himself, was beginning to dismantle, to consider violence, to become prey to abnormal and psychically unfit loved ones.  The stranger who was Sylvester’s wife was intended to parallel for Owen the strangers who composed his own family.  The decision to execute Owen's brother Lucian had already been made by him and his other brother Thomas. The gun having been replaced in the bureau drawer turns up later on in Lucian’s possession.  It is important to remember that the novel is a collection of parallels, either obverse ones or those of sacred similarity.  
            
             The next morning, my phone rang and scared me out of sleep with a hammer-hitting, heart-pounding explosion.  I'd thought I was having a coronary.
            "Jesus Christ!" I screamed to the fish in my aquarium.  I looked for the receiver.  "Jesus Christ!" I yelled at the plants on the end table. "Hello," I said, picking up.
            "Get up."  It was Owen.  "Sylvester's outside.  We're going to shoot pool."
            "At seven-thirty in the morning?!  It’s Sunday!?" I said.
            Owen hung up the phone.  I cursed and stamped my foot on the kitchen floor, and stormed back into my bedroom screeching obscenities about having to get out of bed to answer my goddam telephone on a goddam Sunday morning.  Owen and Sarah had a phone in their living room and in their bedroom.  Why didn't I have a phone in my bedroom?  I plopped onto my bed and shook the covers.  I can’t even shower.  I got back out of bed and looked around the room for my pants.
            "I haven't eaten breakfast," I said to the walls as I buttoned my shirt.  "I haven't showered!  I haven't eaten!  Jesus Christ! There's never any warning!" I shook my fist at the painting of St. Paul on my bedroom wall.
            I closed my apartment door tightly, listening for the click of the automatic lock, and descended the stairs to the front door. Before I turned the knob on the heavy, twisted-oak and gnarled metal-barred model of the Gates of Hell, I remembered that I left my keys in my kitchen.  I kicked the wall and swore again. In a minute, after I calmed down, I was content knowing that I could use Owen's copy.  Yes, that was it!  He'll have a key, because I gave him one.  He always has keys.
            I met Sylvester and Owen standing against a maple tree, which grew opposite the front steps.  Owen had his key ring on his finger and twirled it as he waited for me. He saw the look on my face and looked to Sylvester:
            "What'd I tell you! I bet he slammed the phone down and swore out a couple of Fuck You's at us."
            Sylvester laughed in agreement and turned his face to the tree. He came to see us dressed in his anti-Sylvester clothes, apparel which contrasted with his daily power outfit, as Owen had referred to it.  The power outfit consisted of construction boots, green or blue chinos, a matching color shirt, and various contraptions attached to his belt: a pen case, a beeper, a hunting-knife in its sheaf, a key ring stuffed with every key imaginable, and a leather pouch for his nasal spray, antihistamine tablets, antacid tablets, nail clippers, pain-reliever capsules, Band-Aid strips, and his library card.  One day he'd even worn a chrome change-maker, flipping out nickels and dimes quicker than a hot dog vendor at lunch time.  He wore it for no reason except to make people wonder why he was wearing it.
            However, the anti-Sylvester clothes had consisted simply of high-top tennis shoes, baggy camouflage pants, a cotton work-shirt, and a green army jacket.  The red beret on his head was an afterthought.
            "Am I right?" Owen smiled at me from within his blue Yankees jacket.  "Huh? Am I right?"
            "Yes," I replied.  "I left my keys inside, though," I said.
            "You want mine?" offered Owen.
            "Yes," I said.  
            "Here," he said, extending them to me.
            As I reached for the keys he flicked them away with his wrist and bounced them off a brick wall bordering the sidewalk.  I stooped down to pick them up and, before I could touch them, Sylvester rushed to the keys, kicked them, and ran after them. Owen joined him, trying to get his own feet in the mix.  I stood up and watched them play soccer with Owen's keys all the way down the street.
            When I caught up to them, Sylvester mentioned a pool hall a few blocks north and to the west, a dive owned by a couple of Italian immigrants named Mike and Adriana.
            "Oh no!" Owen said.  "Not Mike and Adriana!"
            "Why not?" asked Sylvester.
            "Because she hasn't seen me in years."
            "You saw them at Grandpa's funeral," Sylvester said.
            "--and she's gonna want to come over and pinch my cheek and tell me how I look like my father and ask me how I'm doing and tell me what good friends of my mother they were and how they remember me as a little boy sitting at the counter in my old man's bar.  To be honest with you, Sylvester, I don't want to go through all that."
            "Of course you don't," Sylvester replied, as we climbed the dilapidated, paint-chipped steps to the pool hall. "Neither do I."
            The hall resembled the interior of an airplane hanger: exposed steel girders suspended from the ceiling and held long, fluorescent light barges.  High-placed exhaust fans rolled slightly to remove the not yet stale air of hustlers, cigar smokers, retirees, and cigarette-smoking college students.  Like most pool halls, it was a haven for the disconnected.
            Mike was an unshaven man of sixty.  He sat in a booth with a teller's window lit up by a sign that read: "The Family That Plays Pool Together Stays Cool Together." A statue of Jesus bearing the Sacred Heart was mounted at the corner of the booth, underneath which sat Adriana.
            She had graying black hair, wore a black sweater over a black dress, dark stockings on her legs and black shoes with thick soles and heels.  Her smile and the puffy tenderness of her hands on Owen's face had revealed a long-lost warmth which she wasn't embarrassed to show or over-emphasize.
            "You look just like your fah-tha," the old woman said, brushing Owen's shirt of invisible bread crumbs, like she may have done when he was eight years old.  "You need any money, doll?" she said, as she dug her hands into her black sweater. 
            "No thanks, Adriana," said Owen, blushing, holding her arms gently in his hands.
            Her friendship with his parents and grandparents started the moment she left a little apartment in the Via Monte Nero in Bari, Italy.  Her mother and father knew Owen’s grandmother and father.  After she arrived and set up house in New York City, she’d remained an admiring friend of Owen’s family, through thick and thin.
            "You sure?" she asked.
            "Yeah, I'm fine," he said.  "Don't worry about me.  I'm okay."
            "Your grandfather was a wonderful man," she said.  "Mi dispiace," she added, making the Sign of the Cross.
            "Thank you, Adriana," he replied. "How are you feeling?"
            "So long as he don't smoke in bed," she replied, pointing to Mike, “I'm fine.”  Mike then replaced the unsmoked half of his unlit cigar into his mouth. "I don't wanna die in fire, you know?"
            "How's your sista?" Mike asked.
            "She's fine," Owen answered.
            "And your brothas?" he added.
            "Now, there's somebody you can worry about," Owen admitted.
            "Perché?  Why d'you say that, hon?" asked Adriana.
            "You know," he said, "marriage, a good job, children, all the things that make a bad life," he answered.
            She'd patted him on the cheek, yelling to Mike: "Hey, lover, you got a good table for this boy?"
            Once we found our “good table,” Owen and Sylvester each rolled a ball on the table, bouncing it off the opposite buffer from where they stood, waiting for one ball to return the farthest length so as to decide who would break first.  I gathered up the rest of the balls from underneath the table and racked them into the triangle.
            "Owen," I said, tightening the rack.  "The woman is wearing all black.  You'd think this was a funeral parlor."
            "Hey," said Sylvester. "She's been wearin' black since Pope John the 23rd died."
            "Grandma did the same thing," said Owen. "Wore black up until a year before she died.  Every time she turned around somebody bit the dust.  First my mother, then President Kennedy, then my father, then Harry Truman and Lyndon Johnson.  God, it was a line-up.
            "What's the game?" he asked his cousin.
            He bent over the table and sized up the cue stick and the possibilities of his break.  While the first shots of the game were executed, I found a plastic seat raised high on four feet of scratched metal support.  I watched the game like an official at a tennis match.  I sipped a cup of coffee, poised so as not to miss a move in the game or the entrance of a stranger.  I was ready for commentary.  It was Sylvester in whom I was interested.  I wanted to know why he appeared so early on a Sunday morning in Manhattan.  He'd been so busy with his restaurant that he'd barely had enough time to make a phone call let alone an entire drive across the East River.  That was his life.  Through the steam of my coffee, as I brought it to my lips, I asked Sylvester why we were there.
            "Couldn't sleep," he replied.  "I was up all freakin' night."
            "You couldn't sleep so you drove to Manhattan?" asked Owen.  He waited, then looked back to his cousin.  "Okay, I'll bite."
            "I'm serious," I said.
            "So am I," Sylvester replied.  "I couldn't sleep most of the night, so I showered, changed, brought the baby upstairs to my mother's house, and then waited for you two deadbeats."
            "You've been here since seven?" I asked.
            "Yeah, but I didn't wanna wake Sarah, so I hung around a while."
            Owen looked over to me and addressed his question to his cousin:  "You dropped the kid off with your mother?  Where's your wife?"
            "Didn't come home last night," Sylvester said.
            A blood-gloom draped itself over his face, wrinkled his forehead.  Owen looked to me.  My return look said: I'm not going to ask the question, you do it.
            "Why not?" Owen said.
            "She left," he said.
            "That's it?" asked Owen.
            "Simple as that," Sylvester said.
            His breathing became irregular as he tried to calm himself, staring at the balls on the table.
            "Uncomplicated," he continued, "simple, because I'm a simple guy."
            "You're hardly that," said Owen.
            "Things at home," Sylvester said, "they aren't so good."
            "I don't get you."
            "Dorothy's pregnant," he said.
            "Congratulations!"
            Sylvester contemplated the table.
            "You're not happy about the idea," Owen said.
            "You know my wife.  Would you be?"
            "What d'you mean?" said Owen.
            "I meant to tell you," Sylvester said. "I meant to tell you a lot of things."
            "So why don't you tell us now?"
            "Well, Dorothy's pregnant," Sylvester said. "But she's not gonna go through with it."
            Owen glanced back at me, meaning that I should stay close to the table, not physically, he meant mentally.
            "Yesterday," said Sylvester, "she went to the doctor. That's what the argument was about."  He pulled a handkerchief out of his back pocket, dabbed his eyes, and blew his nose. "I couldn't sit around home," he added, "thinkin' about it.  I sure as hell wasn't gonna wait around for someone to call me.  I thought you'd be the logical choice."
            Owen moved closer to his cousin and put his hand on his shoulder.
            "You made the right choice, son," he half-laughed, as did Sylvester.
            "She told me that it had nothin' to do with me," Sylvester said.  "She said I wasn't responsible for anything she did. I never have been, and she could've aborted my son, too.  She was serious."
            "Why?" I asked. “Why did she say these things?"
            Sylvester stood still, his cue stick in hand.
            "She said Motherhood was becoming an imposition."
            "Was this a yelling match?" I asked.
            "It was more like a heated heart-to-heart talk," he replied, "which pissed me off more.  She was level-headed.  I was upset.  I didn’t know who I was talking to."
            "What else did she say?"
            "She laughed at me," Sylvester said.  "She said I was simple.  She felt sorry for me because I'm so simple.  I didn't know where all this was coming from."
            "What did you say?" I asked.
            "You know how I feel about that!" he said. "I wanted another kid, but she said there was gonna be only her that mattered, from now on."
            "I don't understand," I said.
            "She said that the us I kept talking about didn't exist."
            "Did you hit her?" Owen asked.
            "No," he said, miffed at the question. "Why would you think that, asshole?"
            "This is an irrational situation," replied Owen. "Sometimes you act irrationally."
            "I asked her if I could change her mind," said Sylvester.
            "What was her reply?" Owen asked.
            "What d'you think?" he said coldly. "I told her we could afford it. That she didn't have to have an abortion.  I'd even get her a nanny if that would make her happy.  That's when she screamed at me," he said.  "’Take your Catholic piety and your Sicilian respectability and shove ‘em up your ass.’”
            “Sicilian respectability?  Sounds like an oxymoron to me,” Owen laughed.
            “That’s what I shouted back at her.  ‘I’m from Queens.  What the fuck are you talking about?’  She just left the room. I guess she was packin' her things."  He gulped down half of his coffee. "You know," he continued, "I went into the front hallway and unlocked the bureau drawer and took out my .357."
            I long ago left my calm self out in the street and sat watching where this conversation was going, fearing the worst.
            "I asked her if she wanted me to just end it for her, right then and there," Sylvester said.
            Owen rubbed his hand over his face.  I knew what he was thinking.  We had someone here who has lost it all or seems to have lost it all. How do we proceed?  At the same time, was Sylvester's bullet any different than Thomas's?
            Sylvester had owned a gun because, he'd explained, he carried around with him large sums of cash.  Since he usually did all the buying for his restaurant, purchasing the fish, the meat, paper goods, liquor, as well as managing off-the-books employees, he preferred to pay for most of his expenses in cash.
            "She said she would save me the trouble," said Sylvester.  "She picked up her purse and left  for good."
            He looked at us.
            "She isn't crazy," he said.
            "No, but you are," Owen said angrily, "showing her the gun."
            Sylvester used the edge of the pool table for support. Owen walked up to him and looked him in the eyes.
            "What'd you do with the gun?" he asked.
            "What d'you mean?" Sylvester replied.
            "The gun!"
            "I put it back in the bureau drawer," his cousin replied.
            "You sure?"
            "Yes, I'm sure."
            "You're not lying to me?" Owen asked.
            "I'm not lying to you," replied Sylvester. "I just wanted to scare her. I put it away.  I put it away!"
            Owen looked deep into his face.
            "That was pretty stupid," Owen said as he resumed their game.
            "Yeah," was Sylvester's reply.
            The two cousins moved in cylindrical motion about the table, cautious, removed slightly from the rest of the players in the hall. As each man chalked his cue stick, I was positive the vibrations from the blue cube against the tip of the stick could be heard echoing off the paint-injured and dust-devoured walls of Mike and Adriana's pool hall, and then back into our hearts, keeping us breathing and alive with hope.

Saturday, March 17, 2018

This Is Thursday...pictures of the 34th Parallel Issue 51.



This Is Thursday.

I'm quite proud of these copies of Issue 51 of the 34th Parallel, which published
my short story, This Is Thursday.




Excerpts:

"Dolly and Tootie routinely bad-mouthed every in-law in the family."

"Everybody calls him Stosh.  We were engaged to be married once."

"She smiled like a Renaissance cherub, albeit a forty-something cherub."

"This must be how his father felt after a long day's driving, or how his mother felt at the start of each new day--brushed aside, not good enough."



Here's the link so you can buy a copy.

Thank you for your time.





Thursday, March 1, 2018

This Is Thursday

My latest short story, entitled This Is Thursday, is available from
34th Parallel magazine.








Friday, January 12, 2018

My Books of 2017.


My book list of 2017.  It was a quick year for reading, and I'm sorry to say I only read half the amount of what I read in 2016.  We'll have to do something about that.

The Pistol by James Jones.  This was a strange, quirky, at times irritating novel about a soldier who is a cross between an idiot and an obsessive.  Kirkus Reviews said:   “…one small area of the early days of war [WWII], the hardships without actual or imminent danger, the frustrations and yearnings of men...just ordinary men -- etched with sharp perception and understanding. Jones has proved that he doesn't need the false props of salacious depravity to give substance to his characterizations.”  I’m not so sure.



Mannequin by J. Robert Janes.  (A St.-Cyr and Kohler Mystery).  My books for fun reading lately have been mysteries, usually unusual.  This is part of Janes’ World War Two topography, a time that I’m deeply entrenched with.

Foreign Studies by Shusaku Endo.  Three stories linked taking us to post-World War Two Paris from the perspective of a young Japanese student.

To A Mountain In Tibet by Colin Thubron is a wonderful memoir about the author’s journey to Mount Kailas (southwest Tibet).  This is a mind-filler to be sure.

Why Homer Matters by Adam Nicolson.  Nonfiction.  I really liked this book, I became engulfed in the Trojan War as if I were an archeologist, reporter, librarian, myth-intimated man of the 21st century.

The Inheritance of Loss by Kiran Desai.  I thoroughly enjoyed this book; there is much quirky ridiculousness but it’s handled. 

Kinds of Love by May Sarton.  She does not kid around with her relationships.  We’re in a small New Hampshire town, back in 1970.  I liked being taken back there, finding an Iris Murdoch sensibility in the cold U.S.

The Dark Flood Rises by Margaret Drabble.  I love Margaret Drabble, and this is another book that I can add to my flag-waving arch of triumph for her.  It’s not for everyone.

An American Requiem: God, My Father, and the War That Came Between Us by James Carroll.  This memoir was a bit thin.  Although Kirkus says “fresh retelling…about a son’s struggles with his father and his God,” it wasn’t a book to stay up late for. 

H Is for Hawk by Helen Macdonald.  Memoir.  At times fascinating, at times lugubrious in its sentimentality over the death of her father and her hyper-self-consciousness.  There are a lot of anecdotes concerning the behavior of hawks and the unintelligible need for people to hood them and teach them how to hunt vis-à-vis showmanship.  Macdonald did, however, turn my lights on for T.H. White. (You remember him; The Sword in the Stone, The Once and Future King, The Book of Merlyn, etc..)

The Finkler Question by Howard Jacobson.  This novel began with a curious eccentricity that I thought would level out, but by the time I finished this book I was so angry at such a waste of my life.  This is a pointless book.

The Paying Guests by Sarah Waters.  This is a challenging book. It gives you a tense uncomfortable binding in your stomach and frown on your face over what people do in the face of and shrinking from passion.  Kirkus says it will remind you of Ian McEwan novels.  Maybe.

T.H. White - A biography, by Sylvia Townsend Warner, is a sad and sometimes brutal life.  Such a successful writer going at light speed without benefit of love. Born in India died in Greece. An interesting man. He was a strong influence on J.K. Rowling and Michael Moorcock and Ed McBain.

The Hothouse by Wolfgang Koeppen takes us to postwar Germany, early 1950s, late 1940s, with the guilt and love/hate fibers of that defeated culture showing through every character.  More bleak than Le Carre but without Le Carre’s charm and brilliance.

Outwitting the Gestapo by Lucie Aubrac.  This is nonfiction; it is exciting at times as well as amusing; there is love, sex, danger pitting your skills against Nazis occupying Paris and the French countryside.

Ballplayer by Chipper Jones by one of my sports heroes.  I enjoyed Chipper’s self-deprecation and his all-too-often true blue stock being sometimes swept away by appetite.

Stonemouth by Iain Banks.  Contemporary, hilarious, gritty novel says Kirkus.  Yes, it is.  Problematic you-can-never-go-home-again story that, once put down, I couldn’t wait to return to it.

Brief Lives by Anita Brookner is another novel by someone whose work I cannot get enough of; cliché, I know, but her “…portrait of a woman adrift in a comfortless world, where the hourglass never stops running” says it for me.

The Monk by Matthew G. Lewis is a gothic romance published in 1796.  Lots of scandalous behavior among nuns, princes, ladies, monks, abbots, etc.; not lurid, don’t get me wrong.


Missing Person by Patrick Modiano is his sixth novel, and won him the Goncourt Prize.  It’s about a detective who lost his memory a decade earlier.  I thought it was convoluted and confusing.

 King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa by Adam Hochschild.  One of the most extraordinary books I read in a long time, certainly one of the three most impressive of last year.  The sheer horror of white men’s cruelty to other races is and has always been monstrous, but in this book, the atrocities committed by and in the name of the King of Belgium for money and prestige, including American entrepreneurs (another way of saying “sadists”) was like a super-cancer invading an otherwise innocuous body, pulverizing everything in its wake.  You will never forget what you’ve read between the covers of this book.

The Catcher Was a Spy:  The Mysterious Life of Moe Berg, by Nicholas Dawidoff, is a strange biography of a strange man.  You get baseball’s Moe Berg working with intelligence agencies during the War, and then afterward, his lonely aimless life.  Moe Berg is a fascinating psychological study, I don’t know what of, but fascinating nevertheless.

The Red-Haired Woman by Orhan Pamuk was a disappointing post-Nobel Prize work by one of my living heroes.  Well written, captivating prose, but it is certainly a minor work.  And I hate myself for saying that.

The Memory of Running by Ron McLarty is a delightful book, my first read of Ron McLarty and I can’t wait for more.  I was reminded of the first time I read St. Burl’s Obituary by Daniel Akst, a great book I must say. (Not that the stories are the same, but the sensibilities are.)

A Legacy of Spies by John Le Carre was not what I expected.  A rehash and retelling of the Spy Who Came In From the Cold under the microscope of 21st Century British (could be anybody) stupidity.  Point taken, but not a very good novel.

1356 by Bernard Cornwell is a grand book.  It is bloody, amusing, brilliant history and should benefit the Medieval enthusiast certainly, but what a miniseries it would make.   This is a very good book.

The Winter Queen by Boris Akunin, early murder mystery work introducing his Fandorin hero.  I have a fondness for Czarist Russia, imported from my devotion to Dostoievsky and Tolsoy.  I’m hooked.

The Angel's Game by Carlos Ruiz Zafon.  I loved this second book almost as much as I loved the first one of the trilogy (Shadow of the Wind).  I’m drawn to the darkness in Zafon’s novels as much as I am to the scholarship.  The Cemetery of Forgotten Books, I love it.  Los libros olvidados.   Naturally I’m chomping at the bit for the third one, The Prisoner of Heaven.

Christmas Pudding and Pigeon Pie by Nancy Mitford.  First one I enjoyed very much, but Pigeon Pie is not as much a satire as her other work, though it tries to be.  Outset of the Second World War crushed Mitford’s family.  The twists and champagne-blurred characters lost me.

David Crockett: The Lion of the West by Michael Wallis is an interesting book about a remarkable man, but the narrative was informational so often, as if I were reading the index cards. 

An April Afternoon by Philip Wylie is beautifully written.  I understand why he was so controversial.  (This book premiered in 1938.)

 The Man Who Liked To Look at Himself by K.C. Constantine.  Constantine is a new compulsion for me, like I need another one.  Small Pennsylvania town, chief of police is the protagonist, strange and colorful characters, and murder.  I’m looking forward to lining his books up like a flotilla.

Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanche Tribe by S.C. Gwynne.  This book is insightful, full of American history, and the wretched acts of incarceration, slavery, and genocide that the white settlers and U.S. government perpetrated upon the indigenous native populations of the American wilderness.  Early history of Texas is prominent, certainly nothing to be proud of in any sense.  A waste of lives and a destruction of resources, that’s us.


Sunday, December 31, 2017

Repose comes easy in a gloomy place, a story should be a story, and other words of comfort.

In anticipation of my Year of Books 2017 list, I thought I'd share some pieces of brilliance from writers who have made a dent in my thick skull and about whom I don't write or speak about as often as I should.

"At the hour when our imagination and our ability to associate are at their height," Hermann Hesse asserted in contemplating the three styles of reading, "we really no longer read what is printed on the paper but swim in a stream of impulses and inspirations that reach us from what we are reading."

A little something from Irwin Shaw:

Fifth Avenue was shining in the sun when they left the Brevoort and started walking toward Washington Square. The sun was warm, even though it was November, and everything looked like Sunday morning--the buses, and the well-dressed people walking slowly in couples and the quiet buildings with the windows closed.
Michael held Frances' arm tightly as they walked downtown in the sunlight. They walked lightly, almost smiling, because they had slept late and had a good breakfast and it was Sunday. Michael unbuttoned his coat and let it flap around him in the mild wind. They walked, without saying anything, among the young and pleasant-looking people who somehow seem to make up most of the population of that section of New York City.
"Look out," Frances said, as they crossed Eighth Street. "You'll break your neck."
Michael laughed and Frances laughed with him.
"She's not so pretty, anyway," Frances said. "Anyway, not pretty enough to take a chance breaking your neck looking at her."
--from The Girls in Their Summer Dresses, 1939

Isaac Bashevis Singer, when asked if Arthur Conan Doyle influenced him in any way, replied:

"Well, I don't think that the stories of Sherlock Holmes had any real influence on me. But I will say one thing, from my childhood I have always loved tension in a story. I liked that a story should be a story. That there should be a beginning and an end, and there should be some feeling of what will happen at the end. And to this rule I keep today. I think that storytelling has become in this age almost a forgotten art. But I try my best not to suffer from this kind of amnesia. To me a story is still a story where the reader listens and wants to know what happens. If the reader knows everything from the very beginning, even if the description is good, I think the story is not a story.
--from The Paris Review, Fall 1968

I love this from John Cheever:

It was one of those midsummer Sundays when everyone sits around saying, "I drank too much last night." You might have heard it whispered by the parishioners leaving church, heard it from the lips of the priest himself, struggling with his cassock in the vestiarium, heard it from the golf links and the
tennis courts, heard it from the wildlife preserve where the leader of the Audubon group was suffering from a terrible hangover.
"I drank too much," said Donald Westerhazy.
"We all drank too much," said Lucinda Merrill.
"It must have been the wine," said Helen Westerhazy. "I drank too much of that claret."
This was at the edge of the Westerhazys pool. The pool, fed by an artesian well with a high iron content, was a pale shade of green. It was a fine day. In the west there was a massive stand
of cumulus cloud so like a city seen from a distance from the bow of an approaching ship that it might have had a name. Lisbon. Hackensack.
The sun was hot. Neddy Merrill sat by the green water, one hand in it, one around a glass of gin.
--from The Swimmer, 1964

A classic from Joseph Mitchell:

To a devoted McSorley customer, most other New York City saloons are tense and disquieting. It is possible to relax in McSorley's. For one thing, it is dark and gloomy, and repose comes easy in a gloomy place. Also, the barely audible heartbeat-like ticking of the old clocks is soothing. Also, there is a thick, musty smell that acts as a balm to jerky nerves; it is really a rich compound of the smells of pine sawdust, tap drippings, pipe tobacco, coal smoke, and onions. A Bellevue intern once remarked that for some mental states the smell in McSorley's would be a lot more beneficial than psychoanalysis or sedative pills or prayer.
--from McSorley's Wonderful Saloon, 1943

From The Monk, by Matthew Gregory Lewis:

The full moon, ranging through a blue and cloudless sky, shed upon the trees a trembling lustre, and the waters of the fountains sparkled in the silver beam; a gentle breeze breathed the fragrance of orange-blossoms along the alleys, and the nightingale poured forth her melodious murmur from the shelter of an artificial wilderness.*

Doting upon his wife, and believing that a look of pity bestowed upon another was a theft from what he owed to her, he drove Matilda from his presence; he forbade her ever again appearing before him.**

One of literature's guardian angels, Margaret Drabble, has this to say about John Cowper Powys:
"The realm of John Cowper Powys is dangerous. The reader may wander for years in this parallel universe, entrapped and bewitched, and never reach its end. There is always another book to discover, another work to reread. Like Tolkien, Powys has invented another country, densely peopled, thickly forested, mountainous, erudite, strangely self-sufficient. This country is less visited than Tolkien's, but it is as compelling, and it has more air."***

Footnotes:
* - "the artificial wilderness" is what jazzes me completely.
** - Thievery by a look, what was owed to someone.
*** - It's why I love Margaret Drabble. She said this in 2006, published in The Guardian.

Monday, September 4, 2017

The Archangel - a poem instead of an observation.

[I thought a poem would do better than an observation.]


 The Archangel
 (for Joseph Centrone)

I'd known you thirteen years when I arrived
in Brooklyn, to work beside you in the plant.
You had by then become a Legend; and
the word Friend had become titanic, mythic.

More often than I can count I begged the power
of that friendship, when I should have played the employee;
played the employee when I should have been a friend.

Priorities become muddled
     when roles become simultaneous.

That is not to say I lacked in loyalty,
the heart of friendship; it is a mirror
of my own interior monologue and I
never stop talking to myself.

Pronouncements flew between us in battles
of who was right, as delivered editorials
went the way of gossip.

How eager to cry fault and corruption, how eager to commit
     each to memory, or to dust.

In the corner by the lobster crates
under seaweed and beneath Norwegian salmon,
waiting mouths were open.  I found a tag
that read: "Armondo's Brooklyn, before one o'clock."

Your words, crammed from a corner of your life,
fumbling; a mundane shove by then had caught you up;
by then indifference was metal pushed, humor garroted.

I still jump to visions, you toting the fishhook, wielding artistic threats, promises to disrespectful galley men,
while riding on a forklift, like Teddy Roosevelt,
at two o'clock in the morning.

I feel like an ice age has passed,
and my quiet form and shaking hands
remind me of existence.  Now
a fixed bridge stands between comfort 
and the mistake I call the world.

There was a time when my every move,
my every satisfaction had about it
wrong gestations of motive, and prizes
kept their value by their unattainability.

There was a time when simple nods
and handshakes brought us closer,
saw us moving closer; directions
that hope managed like a dowager.

Advice on romance and crises,
solutions taken half in recompense
for fear that if they were true
it would ring of culpability.

Like a mad muse was frailty, subterfuge secretly protected what should be left in silence.
Should I have left it silent, like
the part my conscience never played?

Yet held within the grip 
that some good natures keep are
found moments of cynical serenity.
I can hear them now:

At least yours died for sins.  I killed mine
     for lesser things.

 --Mark Zipoli, 2017