Sunday, February 10, 2019

I love quotes about pain, how wonderful it is to be young, one's parents, and about being a fool.



I love quotes about pain, how wonderful it is to be young, one's parents, and about being a fool.

Those mentionables and other snippets from the good novel, Time Will Darken It (1948) by William Maxwell, are what I'm posting on this rainy Sunday afternoon in Santa Monica.



It's been about 20 years since I first read William Maxwell.  That's when I read  The Folded Leaf (published in 1945).  That book went straight to the heart for me, and I wished I'd read it when I was in high school.  But I didn't.  Time Will Darken It is a thoroughly sympathetic and engaging novel.  While reading it, authors and their connections to Maxwell began to pop up.  It was crazy.  I began to find William Maxwell's link to another author I just finished, Mavis Gallant, whose Paris Stories I couldn't get enough of.

He was her editor at "The New Yorker" magazine.  I then I found out that John O'Hara, John Cheever, John Updike, Frank O'Connor, were all Maxwell's authors at that beloved magazine for decades.  My god, I thought, he's everywhere.


Eudora Welty said that "...his sensitive prose is the good and careful tool of an artist who is always doing exactly what he means to do.  [Time Will Darken It is a]...careful, meditative examination of unfolding relationships among people of several sorts and ages...the story's quiet and accumulating power a dark and disturbing beauty that has some of its roots, at least, in fine restraint."  

The book opens one fine evening in Lincoln, Illinois, in 1912.

(from page 350 of the David R. Godine edition, 1983; a misfortune involving fire has occurred)--

"Pain is movement, the waves of the sea rising, receding; waiting is the shore they break upon, the shore that changes, in-time, but never noticeably.  The will that waits and endures is not the same will that makes it possible for people to get out of bed in the morning or to choose between this necktie, this silk scarf, and that.  It is something you never asked for and that never asked for you.  You have it and live.  You lose it and give up the ghost."

Earlier in the book, from p. 120--

"The house next door is never the sanctuary it at first appears to be. If you reach the stage where you are permitted to enter without knocking, you are also expected to come oftener and to penetrate farther and in the end share, along with the permanent inhabitants, the weight of the roof tree."

"...their musical selections and their behavior (especially when they grabbed up their clarinets and trumpets, shoved their chairs in a double line, and indulged in a mock sleigh-ride) were light-hearted and long remembered.  The grey-haired members of the audience, guardians of a gentle Calvinistic era and with fixed ideas of what entertainment was appropriate to a day of worship, sat shocked and disapproving.  The rest applauded wildly, reminded of something they had almost forgotten or known only in snatches--of how wonderful it is to be young."
(p.152)

There is nothing so difficult to arrive at as the nature and personality of one's parents.  Death, about which so much mystery is made, is perhaps no mystery at all.  But the history of one's parents has to be pieced together from fragments, their motives and character guessed at, and the truth about them remains deeply buried, like a boulder that projects one small surface above the level of a smooth lawn, and when you come to dig around it, proves to be too large ever to move, though each year's frost forces it up a little higher. (p. 222)


After a significant tragedy, a fire, takes place toward the end of the novel...--

"The knowledge that you have been a fool hurts just as much, is just as hard to admit to yourself if you are young as when you are old.  Every error that people make is repeated over and over again, ad infinitum, ad nauseum...if they know what they are doing and cannot help themselves.    There is not only a second chance, there are a thousand second chances to speak up, to act bravely for once, to face the fact that must sooner or later be faced.  Windows that have been nailed shut for years are suddenly pried open, letting air in, letting love in, and hope.  (p.348)

Williams Keepers Maxwell, Jr. 1908-2000



Monday, January 7, 2019

My Year in Books - 2018

Among others, there were five sensational first-timers for me:

K. C. Constantine, Ned Beauman, George Grossmith, Carl Hiassen, and John Lawton, and


four wonderful and more-than-satisfying returns to Simon Schama, V.S. Naipaul, Richard Russo, and Margaret Drabble.

Each bold-face title is a hyperlink to a synopsis of the novel, either from Kirkus Reviews, Publishers Weekly, Goodreads[dot]com, The Guardian, The New York Times, or the New York Post, among others.

January...

 Three novels in January were my first introduction and light-speed springboard to the superb novelist, K.C. Constantine.  These books, police procedural/murder mystery/social and political commentary/peculiar and comic characters hooked me from chapter one.

The Rocksburg Railroad Murders (1972) is the first book I read of the "fictional, blue-collar, Rustbelt town in Western Pennsylvania," launching the hook in my gills with Chief Mario Balzic, "a Serbo-Italian American cop, middle-aged, unpretentious, a family man who asks questions and uses more sense than force."  I loved it.  Then came The Blank Page (1974) and A Fix Like This (1975).  These books start with the strangest dilemmas and take you through Mario's home life, the internecine warfare between the police and fire departments, the rough times that fell upon Pennsylvania during the Nixon administration, and the constant upheaval in the social fabric caused by drugs, racism, and class dogmatism; however, there is a lot of let-up whenever Mario visits his favorite Italian joint Muscotti's Bar.and relies upon cold white wine to calm the policeman's jitters or gather information.  There is a lot to laugh at and with in these and the successive 14 novels.
 Constantine's rants, not dissimilar from Bill Maher or John Oliver, often left me depressed or feeling incredibly disenfranchised from the forces that control American history, not because I was to blame or that I disagreed with what he said, but that I have lived through the facts and outrages he wrote about and have wished for, hoped for, voted for better times.  Except for some labor laws and a bit more, a bit mind you, understanding of ethnicity, Constantine's 1970s-1980s Western Pennsylvania for the most part is current day U.S.
Then there was another book by a novelist whom I hold dear, Margaret Drabble, The Seven Sisters, about the "mid-life crisis of an estranged woman named Candida, when she moves to a rundown London apartment."  I have not yet been disappointed by Margaret Drabble.



  In February, there was Frank Giles' Napoleon Bonaparte - England's Prisoner, which I found fascinating.  The stupidity of the English jailers mixed with the raw elitism, egomaniacal urges of the former Emperor of France had me shaking my head continuously. A very good book.
 And as previously stated, I continued my obsession with K.C. Contantine's novels: The Man Who Liked Slow Tomatoes (1982), Upon Some Midnights Clear (1985), and Joey's Case (1988).

I suppose the most post-it decorated of Constantine's books so far was Joey's Case.  I couldn't stop saying, this is beautiful, or this is great, this is unbelievable.  Here's why:

"I can understand that you want to find a reason why this terrible thing happened to your parents--and to you.  But you're gonna have to look someplace else--"
"You cops are a bunch of clowns!  You don't know what they hell you're doin'!"  The woman was sobbing and shrieking and her eyes burned with a rage so bright that Balzic had to turn away.  It was like looking at the sun.
"We don't always know what we're doin', that's true.  I won't argue that.  But we were not at fault here, and my best advice to you is to talk to a lawyer."
Later on, Balzic could not recall how much longer they had stayed or when they left or what prompted them finally to see the futility of staying.  All he could recall was that he could not look at the woman's furious grief.  There had been a time when he would have dismissed her by thinking that she had probably harbored some long unresolved conflict with there mother and that she was merely projecting her guilt over this onto Balzic and his men.  But that was when he had been reading all the psychology he could lay hands on; now, he could no longer allow himself an easy explanation, even if it was more or less true.  Reading about the sun under artificial light was one thing; nothing you'd read could keep you from turning away if you were suddenly caught in its glare...

...This guy could obviously take a ton of punishment and still motor.  It's hard to explain these things sometimes, Chief.  Hell, I saw guys in Nam, they had holes you could put your fist into, I mean they were not supposed to be alive, but they were.  And I saw other guys, one second you were sayin', you know, 'Hey, what the hell's wrong with you?' and the next second you couldn't get a pulse, and you'd peel their clothes off, man, and just start turning' 'em over and over and you'd find this little hole and just a trickle of blood and they'd be gone, man.  Just gone.  And there's no explaining' it...no explaining' it.  I quit tryin' a long time ago."

"Mario," the priest said, opening his eyes and leaning forward slightly, "the Church is many things, but democratic she is not.  If the Bishop believes that the bride of Idi Amin is who I should have for a housekeeper, then Mrs. Dombrisky is who I shall have--until death do us part.  Which by the way is the best argument I could ever muster for celibacy.  Mario, I feel awful.  I mean, just hideous.  I feel sorrier for myself than I do for Mrs. Regoli.  And when I feel the worst is when I say, hey, at least she's in a coma.  I'm awake!  Mario, what am I going to do?  This woman is absolutely loathsome.  And she is going to be in this house twenty-four hours a day to infinity--or my death, whichever comes first.  Mrs. Regoli is not going to recover.  She'll be dead in a matter of days.  I've seen that look before--many times.  All I know is I cannot stand to be around this person!  And I have no choice.  All I can do is request a transfer.  And even if that is approved it won't be for months.  Months!  What in the hell am I going to do until then?  Tonight...tonight at supper she hovered over me while I ate.  She kept asking me if this was okay and that was okay, were the beans all right and was the meat all right.  Mario, I don't consider myself a gourmet, but the food was truly horrible.  It was all boiled.  If you closed your eyes, it all smelled the same, and if you bit into it, you couldn't tell the potatoes from beans.  And she stood there asking me if everything was all right.  Mario, may God forgive me, I wanted to hit her."

Balzic is talking to Muscotti, owner of the bar:  "What's special about me is that I always saw myself as bein' hard, being' as hard as I had to be, but I never saw myself as bein' mean.  I deal with mean people all the time and I always told myself, hey, I ain't one of them.  No matter what, I ain't one of them.  But in the last month or so, I found out where meanness comes from.  It comes from feelin' weak, it comes from feelin' you got no power.  It's adolescent bullshit is what it is.  And I always pride myself on not fallin' for that crap.  And now I find out it isn't something you fall for.  It's somethin' that falls on you.  And once it falls, everything you do from then is a struggle to keep everything else up.  And Christ, in the last week I've been mean to people, chicken-shit mean.  I can't stop it.  It just pours outta me...I'll see ya, Dom, g'night."

"Sometimes the things we think we love are the things that kill us."
"Hey, I'm sure that's true," Balzic said, nodding his head vigorously.  "But I'm also sure that, well, some fo the best times in my life I associate with wine.  Besides, I been drinking it all my life--since I was a kid.  The only time I didn't have wine--the worst time of my life--was when I was in the Marines, in the war...Some of the most peaceful times I know are when I'm just sittin' with my wife and she's havin' some wine with me.  We're sittin' on the deck, watchin' the birds and the squirrels, hey, that's peace for me--or as near as I'm ever gonna get to it."

Balzic is depressed because he needs to take medication for low testosterone levels:
...What in the hell were all these bizarre characteristics--masculinity, manhood, virility, integrity, potency, power, courage, strength, nerve, guts, balls---what in hell did they have to do with oblong, yellow caplets of artificial hormone?  What in hell did they have to do with cunning or guile or intelligence or earning money?  What in the hell did they have to do with three-piece-suits and neckties?  What in hell did they have to do with pistols and shotguns and rifles and intercontinental ballistic missiles?  What the hell did they have to do with muscles and motorcycles?  What they hell did they have to do with tattoos?  Why could an Orthodox priest have a wife and a Catholic priest not and why could a Moslem have four wives?  Did they all have a different prescription of oblong, yellow caplets?

My nonfiction selection for the month was This House of Sky: Landscapes of a Western Mind by Ivan Doig. It is a memoir of Doig's early boyhood.  I found it riveting at times.



March began with Constantine's Sunshine Enemies (1990),  Bottom Liner Blues (1993), Cranks and Shadows (1995), Good Sons (1996), and Family Values (1997).



 I love this excerpt from Bottom Liner Blues:
"Hey, Mo told me I was supposed to apologize, and I did that.  I should've apologized, because what I did wasn't real smart.  But I'm never gonna learn what you think I oughta learn.  'Cause when people try to shit on me, I ain't never gonna shut up.  'Cause it's not just me, you know?  I speak for a lotta people who don't know how to speak.  I mean I hope you understand that, but I don't care if you don't.  I'm not gonna go out and buy another gun, and I should've never pointed that one at you, but as long as I'm alive I'm gonna talk and I'm gonna write.  'Cause all my life I've been watchin' rich white pricks think they can shit on anybody who doesn't belong to their club.  But they can never seem to remember that they're the ones who make up the rules for who gets in and who don't.  You know the guys I'm talkin' about, and don't say you don't.  They come in every flavor, but in this country they're mostly white-bread bastards."

April.  Brushback by K.C. Constantine.  Another excellent book.  I have a huge print excerpt from this book on the back of my bedroom door.  It's freaking brilliant, but too long to put here.
April wasn't a very prolific reading month.  But in May I had Shusaku Endo's Volcano, which I thought was at times maudlin but worth it; The Year of the Death of Ricardo Reis by Jose Saramago, yet another wonderful book by the Nobel Prize winner who began writing novels at age 60.  The House on the Borderland was a bizarre science fiction novel by William Hope Hodgson.  At times the writing was sublime, as in Chapter XIV, The Sea of Sleep: "I would write down the story of those sweet old days, but it would be like the tearing of old wounds; yet after that which has happened, what need have I to care?"  "It was thus that I came to the place of the Sea of Sleep...  I looked around, with a puzzled sense of something unusual.  There was a misty look about the room, giving a curious softness to each table and chair and furnishing."
That chapter was for me an umbrella, over all the delicate dry things that can't get wet.  They are the paradoxes, the plain truths.  So when I read this book, I must say, it had its moments, especially in the chapter "The Trap in the Great Cellar."




I also read George Eliot's Adam Bede.  What an extraordinary novel that was.

June.  Boxer Beetle by Ned Beauman (this was a strange, intriguing mystery about a British homosexual boxer with the personality of a horseshoe crab, but I didn't want to put it down), Black Out by John Lawton (right up my street, London sometime before D-Day, murder mystery), Devil's Brood by Alfred Duggan (not the people next door, those Plantagenets--Henry II, Richard the Lionhearted, John, Eleanor, etc.), Always a Body to Trade by K.C. Constantine (fantastic Constantine), and Carlos Ruiz Zafon's The Prisoner of Heaven (not as great as the first in the trilogy but good enough for me).







In July I finished Blood Mud by K.C. Constantine.  "Now, retired police chief Balzic, conscientious and cranky, is hired by an insurance lawyer to investigate a claimed loss of 40-plus handguns and 30,000 rounds of ammunition stolen from a firearms company.  Bored with retirement, trying to ignore his wife's suggestions that he exercise more and they move to Florida, the self-described old-geezer eagerly takes the job.  Of course, what he uncovers is more complicated and corrupt than a simple heist."  I'm surprised I waited this long.  I can't say enough about these books.
In August I read Ravelstein, one of the least enjoyable books by Saul Bellow that I ever did read after Mr. Sammler's Planet.  This late Bellow novel was so predictable, obvious, and I tell you, I would have welcomed any degree of pretentiousness other than what this book offered.  And I'm a big Bellow fan.  My August nonfiction books were David Sedaris' Calypso and Barbara Tuchman's March of Folly, as well as Graham Greene's Ways of Escape.  Sedaris makes me laugh so much, and this recent book, although well-stocked with serious family melodrama and remembrance, was one of his best.

In September, I made strides to complete the Constantine canon with Grievance and then Saving Room for Dessert.  The socio-politico commentary still dominates, and it's impact on the plot of the story is profound.  Grievance is the story of James Deford Lyon, philanthropist and CEO of one of Pittsburgh's greatest steel companies, who has been gunned down in his mansion by a sniper, and detective "Rugs" Carlucci is quickly besieged by the demands of media figures from Washington and New York and sifting through hundreds of suspects who've been downsized by Lyons. In a second plot, Rugs' mother has a violent outburst that leads her to a mental hospital; Rugs' partner is operating behind his back, hoping to nail the killer and gain a promotion; and his relationship with a one-time Miss Pennsylvania runner-up is coming to a critical crossroad. Saving Room for Dessert follows three beat cops in Rocksburg, all of whom we've seen in earlier novels, but they are the focus, and not Balzic and Carlucci.
Loved Saving Room for Dessert.  Also read the brilliant and prolific Peter Ackroyd's Chatterton; another Ackroyd success as far as I'm concerned. 



 For my September nonfiction reading, there was V.S. Naipaul's A Writer's People, which is an excellent, compact survey of later-day English literary influences.  I'm a big fan of V.S. Naipaul, always have been.  Richard Russo is another writer I admire, and his book The Destiny Thief made a tremendous impression on me, as his books usually do.

October.  Simon Schama's Scribble, Scribble, Scribble.  I love Simon Schama, I love his television programs, and I'm going to tackle his History of Britain sometime this year.  Somersault by Kenzaburo Oe was the fiction book of this month.  Somersault is such a disappointment; I can't believe his editor let this out of the house.  It's nothing compared to his other works.


 I was, dare I say it, more boring than misrepresented.  Move on, reader, move on.




November.  Stephen Greenblatt's Tyrant: Shakespeare as Politician was so interesting, lots of segments of Shakespeare's tragedies and histories that contribute to his examinations of tyranny.  Interesting how many, so very many, personality traits parallel our current president in the White House.  Scary.

The fiction book was Diary of a Nobody by George Grossmith.  This is a hilarious novel written in a diary form.  Its 19th-century headaches and joys are so crazy, yet so familiar to 21st-Century.

December.  Carl Hiaasen's Double Whammy (this is a wild Florida murder mystery) and Abraham Verghese's Cutting for Stone (one of the best books I've read in a long time).  I highly recommend Cutting for Stone.  I concluded the year with Hugh Aldersey-Williams' extensive and exhaustive, scholarly work In Search of Sir Thomas Browne.  Excellent work.



Wednesday, December 19, 2018

Cut pieces from The Long Habit of Living - visit number two


This piece, cut from The Long Habit of Living, part of the flashbacks in time to New York City, was intended to add to the main character Owen’s crumbling life philosophy, that the one person he had always depended on, other than himself, was beginning to dismantle, to consider violence, to become prey to abnormal and psychically unfit loved ones.  The stranger who was Sylvester’s wife was intended to parallel for Owen the strangers who composed his own family.  The decision to execute Owen's brother Lucian had already been made by him and his other brother Thomas. The gun having been replaced in the bureau drawer turns up later on in Lucian’s possession.  It is important to remember that the novel is a collection of parallels, either obverse ones or those of sacred similarity.  
            
             The next morning, my phone rang and scared me out of sleep with a hammer-hitting, heart-pounding explosion.  I'd thought I was having a coronary.
            "Jesus Christ!" I screamed to the fish in my aquarium.  I looked for the receiver.  "Jesus Christ!" I yelled at the plants on the end table. "Hello," I said, picking up.
            "Get up."  It was Owen.  "Sylvester's outside.  We're going to shoot pool."
            "At seven-thirty in the morning?!  It’s Sunday!?" I said.
            Owen hung up the phone.  I cursed and stamped my foot on the kitchen floor, and stormed back into my bedroom screeching obscenities about having to get out of bed to answer my goddam telephone on a goddam Sunday morning.  Owen and Sarah had a phone in their living room and in their bedroom.  Why didn't I have a phone in my bedroom?  I plopped onto my bed and shook the covers.  I can’t even shower.  I got back out of bed and looked around the room for my pants.
            "I haven't eaten breakfast," I said to the walls as I buttoned my shirt.  "I haven't showered!  I haven't eaten!  Jesus Christ! There's never any warning!" I shook my fist at the painting of St. Paul on my bedroom wall.
            I closed my apartment door tightly, listening for the click of the automatic lock, and descended the stairs to the front door. Before I turned the knob on the heavy, twisted-oak and gnarled metal-barred model of the Gates of Hell, I remembered that I left my keys in my kitchen.  I kicked the wall and swore again. In a minute, after I calmed down, I was content knowing that I could use Owen's copy.  Yes, that was it!  He'll have a key, because I gave him one.  He always has keys.
            I met Sylvester and Owen standing against a maple tree, which grew opposite the front steps.  Owen had his key ring on his finger and twirled it as he waited for me. He saw the look on my face and looked to Sylvester:
            "What'd I tell you! I bet he slammed the phone down and swore out a couple of Fuck You's at us."
            Sylvester laughed in agreement and turned his face to the tree. He came to see us dressed in his anti-Sylvester clothes, apparel which contrasted with his daily power outfit, as Owen had referred to it.  The power outfit consisted of construction boots, green or blue chinos, a matching color shirt, and various contraptions attached to his belt: a pen case, a beeper, a hunting-knife in its sheaf, a key ring stuffed with every key imaginable, and a leather pouch for his nasal spray, antihistamine tablets, antacid tablets, nail clippers, pain-reliever capsules, Band-Aid strips, and his library card.  One day he'd even worn a chrome change-maker, flipping out nickels and dimes quicker than a hot dog vendor at lunch time.  He wore it for no reason except to make people wonder why he was wearing it.
            However, the anti-Sylvester clothes had consisted simply of high-top tennis shoes, baggy camouflage pants, a cotton work-shirt, and a green army jacket.  The red beret on his head was an afterthought.
            "Am I right?" Owen smiled at me from within his blue Yankees jacket.  "Huh? Am I right?"
            "Yes," I replied.  "I left my keys inside, though," I said.
            "You want mine?" offered Owen.
            "Yes," I said.  
            "Here," he said, extending them to me.
            As I reached for the keys he flicked them away with his wrist and bounced them off a brick wall bordering the sidewalk.  I stooped down to pick them up and, before I could touch them, Sylvester rushed to the keys, kicked them, and ran after them. Owen joined him, trying to get his own feet in the mix.  I stood up and watched them play soccer with Owen's keys all the way down the street.
            When I caught up to them, Sylvester mentioned a pool hall a few blocks north and to the west, a dive owned by a couple of Italian immigrants named Mike and Adriana.
            "Oh no!" Owen said.  "Not Mike and Adriana!"
            "Why not?" asked Sylvester.
            "Because she hasn't seen me in years."
            "You saw them at Grandpa's funeral," Sylvester said.
            "--and she's gonna want to come over and pinch my cheek and tell me how I look like my father and ask me how I'm doing and tell me what good friends of my mother they were and how they remember me as a little boy sitting at the counter in my old man's bar.  To be honest with you, Sylvester, I don't want to go through all that."
            "Of course you don't," Sylvester replied, as we climbed the dilapidated, paint-chipped steps to the pool hall. "Neither do I."
            The hall resembled the interior of an airplane hanger: exposed steel girders suspended from the ceiling and held long, fluorescent light barges.  High-placed exhaust fans rolled slightly to remove the not yet stale air of hustlers, cigar smokers, retirees, and cigarette-smoking college students.  Like most pool halls, it was a haven for the disconnected.
            Mike was an unshaven man of sixty.  He sat in a booth with a teller's window lit up by a sign that read: "The Family That Plays Pool Together Stays Cool Together." A statue of Jesus bearing the Sacred Heart was mounted at the corner of the booth, underneath which sat Adriana.
            She had graying black hair, wore a black sweater over a black dress, dark stockings on her legs and black shoes with thick soles and heels.  Her smile and the puffy tenderness of her hands on Owen's face had revealed a long-lost warmth which she wasn't embarrassed to show or over-emphasize.
            "You look just like your fah-tha," the old woman said, brushing Owen's shirt of invisible bread crumbs, like she may have done when he was eight years old.  "You need any money, doll?" she said, as she dug her hands into her black sweater. 
            "No thanks, Adriana," said Owen, blushing, holding her arms gently in his hands.
            Her friendship with his parents and grandparents started the moment she left a little apartment in the Via Monte Nero in Bari, Italy.  Her mother and father knew Owen’s grandmother and father.  After she arrived and set up house in New York City, she’d remained an admiring friend of Owen’s family, through thick and thin.
            "You sure?" she asked.
            "Yeah, I'm fine," he said.  "Don't worry about me.  I'm okay."
            "Your grandfather was a wonderful man," she said.  "Mi dispiace," she added, making the Sign of the Cross.
            "Thank you, Adriana," he replied. "How are you feeling?"
            "So long as he don't smoke in bed," she replied, pointing to Mike, “I'm fine.”  Mike then replaced the unsmoked half of his unlit cigar into his mouth. "I don't wanna die in fire, you know?"
            "How's your sista?" Mike asked.
            "She's fine," Owen answered.
            "And your brothas?" he added.
            "Now, there's somebody you can worry about," Owen admitted.
            "Perché?  Why d'you say that, hon?" asked Adriana.
            "You know," he said, "marriage, a good job, children, all the things that make a bad life," he answered.
            She'd patted him on the cheek, yelling to Mike: "Hey, lover, you got a good table for this boy?"
            Once we found our “good table,” Owen and Sylvester each rolled a ball on the table, bouncing it off the opposite buffer from where they stood, waiting for one ball to return the farthest length so as to decide who would break first.  I gathered up the rest of the balls from underneath the table and racked them into the triangle.
            "Owen," I said, tightening the rack.  "The woman is wearing all black.  You'd think this was a funeral parlor."
            "Hey," said Sylvester. "She's been wearin' black since Pope John the 23rd died."
            "Grandma did the same thing," said Owen. "Wore black up until a year before she died.  Every time she turned around somebody bit the dust.  First my mother, then President Kennedy, then my father, then Harry Truman and Lyndon Johnson.  God, it was a line-up.
            "What's the game?" he asked his cousin.
            He bent over the table and sized up the cue stick and the possibilities of his break.  While the first shots of the game were executed, I found a plastic seat raised high on four feet of scratched metal support.  I watched the game like an official at a tennis match.  I sipped a cup of coffee, poised so as not to miss a move in the game or the entrance of a stranger.  I was ready for commentary.  It was Sylvester in whom I was interested.  I wanted to know why he appeared so early on a Sunday morning in Manhattan.  He'd been so busy with his restaurant that he'd barely had enough time to make a phone call let alone an entire drive across the East River.  That was his life.  Through the steam of my coffee, as I brought it to my lips, I asked Sylvester why we were there.
            "Couldn't sleep," he replied.  "I was up all freakin' night."
            "You couldn't sleep so you drove to Manhattan?" asked Owen.  He waited, then looked back to his cousin.  "Okay, I'll bite."
            "I'm serious," I said.
            "So am I," Sylvester replied.  "I couldn't sleep most of the night, so I showered, changed, brought the baby upstairs to my mother's house, and then waited for you two deadbeats."
            "You've been here since seven?" I asked.
            "Yeah, but I didn't wanna wake Sarah, so I hung around a while."
            Owen looked over to me and addressed his question to his cousin:  "You dropped the kid off with your mother?  Where's your wife?"
            "Didn't come home last night," Sylvester said.
            A blood-gloom draped itself over his face, wrinkled his forehead.  Owen looked to me.  My return look said: I'm not going to ask the question, you do it.
            "Why not?" Owen said.
            "She left," he said.
            "That's it?" asked Owen.
            "Simple as that," Sylvester said.
            His breathing became irregular as he tried to calm himself, staring at the balls on the table.
            "Uncomplicated," he continued, "simple, because I'm a simple guy."
            "You're hardly that," said Owen.
            "Things at home," Sylvester said, "they aren't so good."
            "I don't get you."
            "Dorothy's pregnant," he said.
            "Congratulations!"
            Sylvester contemplated the table.
            "You're not happy about the idea," Owen said.
            "You know my wife.  Would you be?"
            "What d'you mean?" said Owen.
            "I meant to tell you," Sylvester said. "I meant to tell you a lot of things."
            "So why don't you tell us now?"
            "Well, Dorothy's pregnant," Sylvester said. "But she's not gonna go through with it."
            Owen glanced back at me, meaning that I should stay close to the table, not physically, he meant mentally.
            "Yesterday," said Sylvester, "she went to the doctor. That's what the argument was about."  He pulled a handkerchief out of his back pocket, dabbed his eyes, and blew his nose. "I couldn't sit around home," he added, "thinkin' about it.  I sure as hell wasn't gonna wait around for someone to call me.  I thought you'd be the logical choice."
            Owen moved closer to his cousin and put his hand on his shoulder.
            "You made the right choice, son," he half-laughed, as did Sylvester.
            "She told me that it had nothin' to do with me," Sylvester said.  "She said I wasn't responsible for anything she did. I never have been, and she could've aborted my son, too.  She was serious."
            "Why?" I asked. “Why did she say these things?"
            Sylvester stood still, his cue stick in hand.
            "She said Motherhood was becoming an imposition."
            "Was this a yelling match?" I asked.
            "It was more like a heated heart-to-heart talk," he replied, "which pissed me off more.  She was level-headed.  I was upset.  I didn’t know who I was talking to."
            "What else did she say?"
            "She laughed at me," Sylvester said.  "She said I was simple.  She felt sorry for me because I'm so simple.  I didn't know where all this was coming from."
            "What did you say?" I asked.
            "You know how I feel about that!" he said. "I wanted another kid, but she said there was gonna be only her that mattered, from now on."
            "I don't understand," I said.
            "She said that the us I kept talking about didn't exist."
            "Did you hit her?" Owen asked.
            "No," he said, miffed at the question. "Why would you think that, asshole?"
            "This is an irrational situation," replied Owen. "Sometimes you act irrationally."
            "I asked her if I could change her mind," said Sylvester.
            "What was her reply?" Owen asked.
            "What d'you think?" he said coldly. "I told her we could afford it. That she didn't have to have an abortion.  I'd even get her a nanny if that would make her happy.  That's when she screamed at me," he said.  "’Take your Catholic piety and your Sicilian respectability and shove ‘em up your ass.’”
            “Sicilian respectability?  Sounds like an oxymoron to me,” Owen laughed.
            “That’s what I shouted back at her.  ‘I’m from Queens.  What the fuck are you talking about?’  She just left the room. I guess she was packin' her things."  He gulped down half of his coffee. "You know," he continued, "I went into the front hallway and unlocked the bureau drawer and took out my .357."
            I long ago left my calm self out in the street and sat watching where this conversation was going, fearing the worst.
            "I asked her if she wanted me to just end it for her, right then and there," Sylvester said.
            Owen rubbed his hand over his face.  I knew what he was thinking.  We had someone here who has lost it all or seems to have lost it all. How do we proceed?  At the same time, was Sylvester's bullet any different than Thomas's?
            Sylvester had owned a gun because, he'd explained, he carried around with him large sums of cash.  Since he usually did all the buying for his restaurant, purchasing the fish, the meat, paper goods, liquor, as well as managing off-the-books employees, he preferred to pay for most of his expenses in cash.
            "She said she would save me the trouble," said Sylvester.  "She picked up her purse and left  for good."
            He looked at us.
            "She isn't crazy," he said.
            "No, but you are," Owen said angrily, "showing her the gun."
            Sylvester used the edge of the pool table for support. Owen walked up to him and looked him in the eyes.
            "What'd you do with the gun?" he asked.
            "What d'you mean?" Sylvester replied.
            "The gun!"
            "I put it back in the bureau drawer," his cousin replied.
            "You sure?"
            "Yes, I'm sure."
            "You're not lying to me?" Owen asked.
            "I'm not lying to you," replied Sylvester. "I just wanted to scare her. I put it away.  I put it away!"
            Owen looked deep into his face.
            "That was pretty stupid," Owen said as he resumed their game.
            "Yeah," was Sylvester's reply.
            The two cousins moved in cylindrical motion about the table, cautious, removed slightly from the rest of the players in the hall. As each man chalked his cue stick, I was positive the vibrations from the blue cube against the tip of the stick could be heard echoing off the paint-injured and dust-devoured walls of Mike and Adriana's pool hall, and then back into our hearts, keeping us breathing and alive with hope.