Sunday, February 23, 2014

CHAPTER VI (from The Long Habit of Living)


CHAPTER VI (from The Long Habit of Living).
               
                At six o'clock that afternoon I sat alone at a table in front of an outdoor restaurant in the rue Barges.  I was spending money.  I even tried to make sense out of newspaper articles in Le Monde, about Jeffrey Dahmer being arrested for the murders of men and boys in Milwaukee, of Boris Yeltsin becoming the new President of Russia, and of the imminent exile to France of Michel Aoun, Lebanon’s prime minister.  Well, I thought, Lebanon had been up for grabs since Aoun declared war on Syria in 1989.  He reduced Beirut from a million people to 100,000 in three months.  Then the smell of lamb cooked with onions, carrots, and leeks, and a partridge sprinkled with thyme and marjoram dismantled my translations from Le Monde and made me think and act silly with the frustration of an undisciplined mind meeting the scent of heaven.  My mouth and brain reeled from expectancy, but I was held in check by an outside thought of Owen and Sarah.
                Owen intimated one day, back in New York, that he still wasn't certain about the hope of love.  After a long period of inactivity, which for Owen was unusual, and which was caused by anxiety and other, less identifiable exertions which occurred previous to the night about which we didn't speak, sex invariably became a topic.  Of course, that wasn't to say that Sarah for her part lacked any sensual demand.  On the contrary, she was a dynamic lover, as Owen, without imparting details, had attested to both Sylvester and me on many occasions.
                Often in New York, when I'd come downstairs from my apartment to visit them and, if by chance that visit had followed their lovemaking, Sarah's face would be flushed for an hour, her eyes sparkling, her ears red, as if she'd been standing on her head.  Her movements, usually graceful, were then instinctive: Touching, arranging, moving objects or fixing herself with ease and a sense of union.  I wasn't a little jealous of the intimacy between them, for I had yet to find someone with whom the flush and contact of sex would be equally as affectionate and endearing as was theirs.
                Sipping a glass of hearty red wine, my hands still clutching the French newspaper, I thought strangely that the dog days had yet to pass: Until Owen could be healed of his guilt I would have to watch the chronometer.  I would have to listen to everything he said, go wherever he went, look at whatever he saw, meet whomever he met, keep track of everything, until he himself was satisfied that he was whole again.  It was a condition that was hopeless in its immediacy yet possible only if I could believe that it was all beyond our control.  The metaphysical in life made it possible for me to hope; yet after that New York winter night in the previous year, what remained of the metaphysical?

               "Merci," I said mechanically.  My dinner had been served.  With internal delight, from both taste and presentation, I came out of myself and looked across the street as a matter of course.  Holding my glass near to my lips I watched an aging priest gasping for breath and leaning against the handrail of a cement stairway that led to the door of a carpenter's shop.  His panting was echoed by that of a puppy he was holding wrapped in a grey blanket close to his chest.
                "I don't know what I'm going to do with you," he shouted in French, looking at the wounded animal's bleeding skull.  "But I can't let you go."
                I looked around at the other patrons in the restaurant.  No one appeared to have noticed the scene.  Was I the only spectator to this?  I watched the priest again.  It was Fr. Revenant.  At once he moved away from the cove in which he found a momentary sanctuary and then he ran down a nearby alley, clutching the injured dog.
                Within moments he vanished and I was left to my lamb and my hearty red wine and the image of the strange cleric in this, I thought, dry, uncomplicated, French town.  I didn't see him again for the rest of the afternoon.  After dinner, however, brought on by an indulgence in the wine, my curiosity and a sure amount of daring overtook my body and pulled me to the alley along which Fr. Revenant had disappeared.

                My self-assurance enabled me to walk carelessly down the narrow back street, one which I hadn't explored before.  I didn't know what to expect, nor did I care, but with time on my hands and with wine-inspired curiosity, I searched for any hint of a desperate priest holding an injured dog.  The smell of soggy grass and warped wood drifted toward me as I continued downhill, until I realized that I walked nearly to the edge of town by the Durance River.  Late afternoon changed to twilight when I turned to my left.  I knew that the river was close by since the breeze intensified as I walked and I knew that it was the river to which I wanted to direct my prowl.
                Being solitary and stuffed with food and without friends or conversation, I remembered my fellow expatriates who weren't with me.  I thought of Sylvester and his walking-dead wife, of Owen's dead parents, and then of mine who were safe and sound in Connecticut.  I thought of Andy McLean and Aunt Gloria, of Brenda Larkin and Thomas, of Leah and Army, and of course, Lucian.
                How far away they seemed; how much time had really passed?  I walked on.  At that moment, a hand reached out, grabbed my neck, and pulled me into a darkened niche off to the side of the alley.
                "Don't speak until I've explained everything!" raged the voice in clear yet accented English.  I could see well in the darkness and knew that it was Fr. Revenant.  His breath smelled like celery.
                "You are safe," he added.  "There's nothing to worry about.  Just me and this...this little lamb here."
                He showed me the bleeding dog.  I was shaken.  I hadn't come all the way from New York City to be mugged in the south of France.  My mind raced with the possibilities.  What now?  What now?
                "What do you want?" I asked.
                "Thieves!" he yelled to the alley.  "You thieves!" he screamed again out toward the night, ignoring my question.  He released me and hugged the pup.  The dog's brown and black skull was covered with blood and its eyes implored the out-of-breath priest to "Please, leave me to die, alone."
                "Should I introduce myself?" I asked, not knowing what to do, hoping that a few choice words and the semblance of a cool head would give me the advantage to think.
                "I know who you are," came the indifferent reply.
                "Well I don't know you!" I exclaimed.
                "Young man," he said, lowering the animal to the ground.  "There's no cause to be jumpy."  He stood up and placed his hands thoughtfully on his hips.  "I am a priest.  I have a wounded dog.  But I am lost."
                "So am I," I said.
                "We'll talk about that later," he replied.  "My name is Father Albert Revenant," he extended his blood-stained hand for me to shake.  "Father Revenant to most.  I know your name is Walter Vann and that you live in the Fontaine house.  You're not what I would call a good Catholic."
                "How d'you know?" I asked.
                "I can't afford the luxury to sit all day in church and pray, Mr. Vann.  This is my village.  I have to be alert.  What goes on I hear about."
                "What are you doing with this animal?" I asked cautiously.
                "That depends," he mused and bent over to pick it up.  "We'd better hurry."
                "What for?" I replied.
                "My God," he spoke caressingly to the dog.  "My God, the day they start using lambs like you for...for their..."
                For their what? I thought to myself:  Vivisection?  Animal drug testing?  I studied Fr. Revenant.  Above a sturdy chin, his mouth rested nobly and was embraced by a large Roman nose that met his forehead with a perfect furrow.  Two thick wavy eyebrows guarded his eyes which, in the alley light, were glints so full of compassion that I saw two thousand years of Gallic evolution behind him.  His eyes were those of a philosopher wolf, captivating the onlooker before giving way to his bushy, uncombed hair.
                At that moment, the clock in the old Protestant church near the water struck nine.
                "Good God," he remarked aloud.
                "Good God what?" I asked.
                "Where are we?" he grabbed my collar.  "Tell me where we are."
                "I don't know.  I'm new here, Fr. Revenant," I answered.
                "I told you, Mr. Vann, that I knew that," he said scornfully.
                "Then why did you ask me..."
                He let go of my shirt.
                "Now, let me see.  Let's go," he cried and crooked my arm, ushering me toward the Durance.

(Photo by Michelle Kidd Drechsel)
                When the blackened water came into full view and all that lay between us and the water was a slanting bank of grass and weeds, we slowed our pace to a walk.  Fr. Revenant surveyed the neighborhood.  There were stucco walls glowing with the usual blue of a hidden ray of light not yet given up to silence.  Each door to each house along the way was closed with an invisible sign posted for the unworthy traveler:  You Are Not Welcome Here, it read.  The place made me nervous.  Fr. Revenant caught sight of a dark suit hanging from a window across the wide open promenade.  It was out of fashion and somewhat threadbare.  I pointed to it as well.
                "Laundry," he commented, "for everyone to see."
                Every object, every drain pipe that climbed along the walls overlooking the neighborhood, every ceiling hoist or electrical conductor slashed into my heart new threats against our safety.  Curiosity killed the cat I thought; and I believed I uttered it.
                The neighborhood was a dark, secretive catacomb in the rain.  The moisture from the water was light-feeling, yet noticeable.  We were both trying to regain our composure when Revenant spotted a man sitting on the quay fishing.  He was dressed in dark clothes, a fisherman's cap, and he sported a thick beard.  One of his pants legs was rolled up to the knee.  He smoked a pipe; actually, it jutted like a lantern from the edge of his mouth.
                "Hello," said the Reverend Father.
                "Evening to you," the man replied and returned his attention to his fishing pole.
                The Durance was pitch black, save for a distant lantern atop a rowboat and the reflection of the stars from the night sky.  The sounds of the village were all lost to this damp escape way.
                "Please don't think that I'm a criminal," said Revenant to the man.
                The fisherman turned around, glanced at the priest once and then looked across the river.  I looked at Revenant, caught his glance, and asked him why he said that.
                "Now why would I think that?" the fisherman reiterated before Revenant could reply to me.
                "I don't know," Revenant replied.  He stared at the fisherman with rapt attention.  "But you don't, do you?"
                "No, I don't," he said.  "I think nothing of the kind, sir."
                "I'm not running from anybody," exclaimed Revenant.  "I happened to be in a hurry and lost my way."
                "And then you got scared?" asked the stranger.
                "Yes, I did," replied the priest.  "And I came upon this young man who was on his way home and we're all now lost together."
                "Wait a minute," I said.  "Don't drag me into this."
                "You probably, with all good cause, then," stuttered Revenant, shivering, "suspect that I am mad?"
                I certainly do, I thought.
                "No, no, my dear man," answered the fisherman.  "I believe you.  I thought of nothing but the best for you when I heard you were coming."
                "I really have lost my way," insisted the priest.
                "I can see that," said the fisherman.
                "What are you called?" Revenant asked.
                "I'm not from here," he replied.  "That's why you don't recognize me."
                "But you don't think I'm crazy?" asked Revenant, clutching the dog closer to him.
                "He already said no," I offered.
                Fr. Revenant shot me a look of contempt.
                "Be still!" he said.
                I didn't argue with the lunatic.  The scenario was incomprehensible and the priest was making a fool of himself.
                "I don't know why I should think so ill of a stranger," replied the fisherman.  He smiled and looked past Revenant's shoulder to me.
                "A man comes running out of the night," he continued, "wearing vestments no less, out of breath, carrying a blood-dripping bundle.  I'm sitting here, holding a rod, just fishing.  Why should I think anything of it?"
                I laughed and shoved my hands into my pockets.
                "Mr. Vann, please!" Revenant was annoyed.
                The priest, puzzled by the lie and the intrigue inspired in the fisherman, handed me the covered puppy and walked nearer to him.  He found him agreeable.  He sat down beside him and kept looking back to us:  The Nervous and The Wounded.  The fisherman looked at him again and smiled.
                "Your package seems to be dripping all over," he said.
                Revenant looked at his shoes.  There were drops of blood splattered on them.  He glanced sideways to the fisherman.
                "It's an animal, badly hurt," said Revenant.  "I was confused about what to do with it."
                "May I see it?" asked the fisherman, leaning backward and turning toward me.
                "No," exclaimed Revenant.  "It's too unpleasant."
                "So it must be," replied the man, gazing again out into the darkness.
                "Are you here often?" asked Revenant.
                "Often enough," the stranger answered.  "I sit and I fish.  I'm always fishing."
                "What do you fish for?" asked Revenant.
                "Oh," began the fisherman, stretching his back which had become stiff from sitting too long.  "I fish for anything and eat what I catch.  Would you like to try your hand at it?"
                Extending his pole to the priest, he offered Revenant a chance.  He smiled like an idiot, and the pipe in his mouth remained lit and perched between his lips.  Revenant, bewildered, looked away from him and moved several feet in the opposite direction.
                "No thank you," he muttered.  "Not now, thank you."
                The fisherman's eyes found Revenant's and glued them to his.  At that moment, as I watched without blinking, so interested was I in the proceedings, a steady light appeared against the darkness.  Their faces were lit up and neither moved a muscle for what seemed like hours.  I stood alone, off to the rear, holding a now lifeless mass.
                "When I come here," the fisherman began, "I usually get what I fish for.  Are you sure you don't want to take it from me for a while?"
                "No, no," replied Revenant.  "I'm not sure."
                "Then, what's there to worry about?" asked the man.
 (Photograph courtesy of There And Back Again)

               He raised his head and looked out upon the flowing Durance.  Passing us, in the center of the river, was the rowboat we saw earlier.  It was being paddled by a solitary figure: a man in a cap, with a pipe, almost the reflection of the fisherman on the quay.  The boat, however, was moving at such a great speed that I wondered how dangerous the current must be.  I was glad to be on shore, considering the situation.
                "Your dog is good bait," suggested the fisherman.
                The terrified priest suddenly got up from the quay and ran to lean against a wall, one which must have belonged to a shack or an out-house.
                "Father Revenant!" I called.  The priest remained glued to the wall.  "Father Revenant!" I repeated.
                "What?" he shouted, not taking his eyes off of the fisherman.
                "I think we should be leaving," I insisted.  "I think we should go, now!"
                "It's not my dog," he shouted back to the man, ignoring me.
                The fisherman didn't respond.  He sat and silently held his fishing pole.  His dark, unmoving body blended into the night.  All that Revenant or I could see was the light of the still burning pipe, and I could have sworn to heaven that I heard what sounded like a sigh, or was it a sob.
                In seconds, Revenant was again upon the fisherman.  He swooped down beside him, facing him, breathing heavily and anxiously.  Bending over the stranger, he whispered loudly into his wrinkled ear:
                "And besides," Revenant stammered, "I don't need it!"
                Whereupon the priest ran to me, grabbed the dead bundle, nearly knocked me over, and ran back to the fisherman.  He dropped it into his lap and then hurried over to me.  Grabbing my hand, he led me running through the alley along the windowed wall of the warehouses and back out into the street, into the noise of drunks singing and the ever-present veil of the night.

                "How I do discover myself," Fr. Revenant sighed.  He was sitting in his overstuffed parlor chair, staring at the closed venetian blinds.  The instep of morning was still some hours away, and the full night finally brought stillness to the town and ease to our hearts.
                He was rubbing the disturbing numbness of his left leg and realized he had been sitting improperly for too long, as we had been in conversation for some time.  He was not, he assured me, upset because of the dog, the fisherman, or the blood.
                "I have met their kind before," he exclaimed wearily.
                We'd been drinking brandy and tea and rehashing all that we'd seen and heard that night.  There was an attraction that I felt toward him, as if I'd met the priest before, an attraction which he readily observed and communicated to me in comforting tones in his voice.  His demeanor, since we left the streets and came here, had changed dramatically.  I was playing with the thought that I might be reinfused with conditions of faith because of his sympathetic glow and warm personality; but I didn't want a return to faith.  I had my hands full bringing Owen back to normalcy.  Yet I was unmovable in my fascination with the priest.
                "I'll say it again, only because I'm at fault, but I'm sorry if I frightened you, Mr. Vann," he said.  "I couldn't have predicted that meeting with Monsieur the fisherman.  It was...unfortunate."
                "Fr. Revenant," I replied, "you didn't frighten me.  As I said, everything together scared the hell out of me, but not you personally."
                "No?" he responded, almost hurt by my statement.  "I didn't once send you to the grave with fear?"
                "Well, maybe once," I allowed.
                "Be honest, Mr. Vann.  I'm a priest.  There's no fun in lying to me when I'm the one you will confess to later."
                "You have a point, Father," I laughed.  "You had me worried most of the time."
                He laughed contentedly.
                "Don't misunderstand me, Mr. Vann," he said brightly.  "I didn't intend to cause you harm.  I'm a priest.  I know better."
                "Fr. Revenant," I looked across the room, out of focus, out of color, "how did you know I was going to follow you?"
                He sat up, gazed at the couch opposite him, facing the dormant fireplace and the two fragile, antique endtables.  A leather hassock lay in front of his feet; I could tell that he rarely used it.
                "I didn't know you would follow me," he said.  "It was a discovery that was as wonderful to me as it was to you."
                We smiled together at his conclusion.  My eyes roved over indistinguishable shapes of pictures on the walls, as well as over two ceramic cherubim heads which hung near the doorway.  The unlighted figures of a fresco hailed from the last wall as I brought my perusal to a complete stop.  I sipped my brandy and winced from its strength.
                "Who painted that thing?" I asked, trying to sound less like a critic and more like a friend.
                "John the Baptist?" he reflected, finishing his own brandy.  "It was here when I arrived.  Painted by a young art student, I'm told.  He was eventually killed in Indochina, in October 1950.  A certain General Carpentier had delivered his soldiers along Rout Coloniale 4, to retreat from a Viet Minh onslaught.  My dear Walter, there were six thousand French troops lost; they just disappeared, in the jungle, without a trace.”
                It was the worst overseas defeat of the French since Wolfe beat Montcalm on the Plains of Abraham in Quebec, in 1759.
                “It was a year that France had more than its turn with shame," he ended sullenly.  "Or should I say, fulfilled it?"
                "Sorry," I said, feeling the foot in my mouth.
                "I'm sorry that your country didn't learn the same lesson," he cried.  "We spelled it out plain as day for you.  Lost miserably.  Yet you went right ahead in as if they were giving land away for free."
                His voice became animated with politics.  I hardened my face at the adolescent memory of our war in Viet Nam.
                "Never understood it," he added.
                "I still haven't understood why you were carrying that dog and why I'm here," I said, fingers to my temple, my head inclined toward hopefulness.
                "You will," he said.  "It's not a secret or anything, Mr. Vann.  The more obvious some things are the less you can see them.  I, for one, happily have given up trying to make sense of life.  I'm committed to serving God in Heaven and for my reward I understand less and less.
                "Would you like a cigar?" he added, getting out of his chair.
                "No, thank you," I replied.
                "I have no pipe tobacco," he said consolingly.
                "I don't own a pipe, Fr. Revenant."
                "Probably too much bother," he said.  "Would you like a piece of advice?" he offered, with an air of indifference.
                "Yes, certainly," I answered.
                "Keep away from the Hun," he clouded.
                "I don't even know him."
                "You will," he said.  "Keep away from him."
                "Why?" I asked cautiously.
                He stared for a moment then rose.
                "Thank you for sitting with me, Mr. Vann," he said, standing in the doorway.  "I think I'm going to bed.  Unless, of course, that is, you have anything you wish to confess?"
                "Confess?" I said surprised.
                "Yes," he said seriously.  "Now is as good a time as any.  Confess and be forgiven.  The eternal recurrence for a priest, eh?"
                "What makes you think I've done anything wrong?" I said.
                "Wrong or right..." he said as he tapped the framework.  "That's up to you."
                "What if I don't believe?" I asked.  "Christ!"
                I felt my temper begin to rise.  This was the second man today who reminded me to seek forgiveness.
                "Mr. Vann," he said, holding up his right palm.  "Judge not lest ye be judged!"
                I watched him go up the stairs toward his room.
                "What does that have to do with anything?" I called, getting out of my seat.
                "Look it up, my boy," he yelled from the darkness.  "Look it up," and he laughed as he climbed the stairs.
                At the last of his words I heard a door shut.  Jesus Christ! I exclaimed to myself.  Three o'clock in the morning, left alone in a stranger's house, a priest's house no less, after a near collision with insanity or death, left alone answering accusations about sin and confession, a dead dog in my arms and a conversation with a fisherman who's a freak!  I'd get more peace in a circus.
                I looked at my watch and, just realizing how late it was, and that I might be arrested for vagrancy or prowling (the French word for it was rôder; je rôde: I prowl, therefore I am).  I wondered if I were going mad.  I searched for the hallway to the front door and quietly let myself out.
                After securing the front door, I stepped back a few feet to examine the rectory.  The number thirteen was posted on the left.  The windows, each divided into eighteen individual glass panes, were paired up with wooden shutters, which were in desperate need of paint and which were etched upon with symbols out of the head of John Dee.  There was the archangel Uriel, holding his bronze disk marked with the symbols of the zodiac; there were crystals and bulls framed by the overgrowth of ivy.  One in particular displayed the fish-entwined anchor of Jacopo Sannazaro.  Vines of healthy, arcadian ivy grew up the sides of the house and around the windows, giving me the impression at first that they were closing in.  On further inspection, I realized that the windows assumed personalities all their own; cajoling the ivy, inviting it, "Come in.  Come in."  I walked in the direction of la Fontaine and tried to restrain the presence of the metaphysical in my life.

Saturday, February 1, 2014

Orhan Pamuk says #10: Museum curators should behave like novelists who explore the individuality of the person rather than the history of the state."

 Orhan Pamuk says "The individuality of one person lends meaning to the collection..."



"...Museum curators should behave like novelists who explore the individuality of the persons rather than the history of the state and the nation."

 
Visit the YouTube interview here.

 
"The habit of collecting, of attachment to things, is an essential human trait. But Western civilization put collecting on a pedestal by inventing museums. Museums are about representing power. It could be the king's power or, later, people's power."

"This has generally not been present in the non-Western world. There, the collector has been an individual who is doing something peculiar. He cannot be proud about what he is doing since his collection is not something that categorizes the larger human experience. On the contrary, it only signifies points of his own personal reality."

"However, in the last 50 years, the non-Western world is catching up with museums because it wants to represent its power. Most of the time such museums are about the power of the state. They are crude exercises, like waving a flag. This new museum mania avoids representing reality in an artistic or a personal way. Power is more important than art or the person. That is the trend."

"...in my novel, where Kemal collects the tea cup, cigarette butts, bedroom door handle and other items of Fusun, he is building a museum not to power but to the intimate experience of love, to an individual life. My point is that, whatever a life is made of, its dreams and disappointments, is worth taking pride in.
"




Monday, January 20, 2014

"Brooding on the past," he said, regarding Spring. "Will that bring it back?"



"Brooding on the past," he said, regarding Spring.  "Will that bring it back?"
"Only order it."
She knew that, reasonable as they might seem, people like this who live on the street are differently composed from people who live in houses.  They have a reason of being where they are, expressed in a peculiar apprehension of things, a loss of engagement with the ordinary world and how it goes on, often unwilled.  She knew she must not press questions on him, pursue a subject, for like the paths in this place that would only lead her away.  Yet she wanted very much now not to lose contact.  "Memory can be an art," she said schoolmarmishly.  "Like architecture.   I think your ancestor would have understood that."
He lifted eyebrows and shoulders as though to say Who knows, or cares.
"Architecture, in fact," she said, "is frozen memory.  A great man said that."
"Hm."
"Many great thinkers of the past believed that the mind is a house, where memories are stored; and that the easiest way to remember things is to imagine an architecture, and then cast symbols of what you wish to remember on the carious places defined by the architect."

...Another thing about a memory house is that its builder and occupier can lose things in it just as you can in any house--the ball of string which you were certain you kept either with the stamps and the tape in the desk drawer or in the hall closet with the tackhammer and the picture wire, but which isn't in either place when you go to look for it.



 In the ordinary or Natural Memory such things can simply vanish; you don't even remember you forgot them.  The advantage of a memory house is that you know it's in there somewhere.

[Above excerpted from Little, Big by John Crowley, New York: Bantam Books, 1981.  My first foray into the works of John Crowley and I'm so glad I went with Joe Savino's recommendation of Little, Big.  I had no idea what to expect, as I did no advance research on the author or the novel.  This is a wonderful book.  538 pages of sheer beautiful otherworldliness.  I gave it four stars on Goodreads.  I couldn't give it five; I give Proust five.  Powys, Camus, Hesse, Duhamel, Dostoyevsky, Steinbeck five.  So this is as good as it can get.]






Left: John Crowley




Little, Big
by John Crowley

Saturday, January 11, 2014

Reading for moral & intellectual improvement and for pleasure: Zipoli's year in books.


For the sake of my moral and  my intellectual improvement, and for pleasure...


            ...the year 2013 began with the completion of five good books; three of which I thought were very engaging:  (1) The Cave by Jose Saramago;  (2) Rope Burns by F.X. Toole; and (3) The World At Night by Alan Furst;  (4) Charming Billy by  Alice McDermott I found to be rather preachy and predictable.  That said, there were a few quotable passages and I especially liked the one on p. 194 (see my blog page).  (5) House of Splendid Isolation, although about a subject I am in sympathy with (Ireland), by Edna O'Brien, was stylistically irritating, especially the under-written (poorly executed) jumps in time within a paragraph or chapter section and the vague antecedents of her personal pronouns, which made the reading a self-conscious exercise.  Perhaps you should leave that kind of style to someone who has it under control.  I recommend William Faulkner.  My nonfiction book, Wizard: Life & Times of Nicola Tesla by Marc Seifer, was an interesting read.  Such a brilliant man, Tesla, but he led a life as unpredictable as lightening.  A sad eventuality for someone with such a fascinating dream for mankind.
Saramago, Toole, McDermott, Furst, Seifer, and O'Brien
             February gave me The Cowards by Josef Skvorecky, about the end of World War 2 in small town Czechoslovakia; although unfortunate for the Czechs, the story was still very funny, which is always a pleasure with Skvorecky.   Ride With Me, Mariah Montana by Ivan Doig is the concluding novel in his trilogy that begins (chronologically) with Dancing at the Rascal Fair.  Puts one in mind of Jim Harrison. Bringing up the rear is James Salter’s Light Years, which I liked quite a lot; intelligent, clever, and compelling.  I’ve become a fan of Salter.  Two nonfiction books finished in February: Here, There, Elsewhere by a favorite of mine, William Least Heat-Moon, and Townie by Andre Dubus III. Both are excellent, vastly different experiences, but what a pleasure it was to read both.  Townie’s hard-drinking, violent, antagonistic struggle of an embryo-writer was Dubus’s journey out of the cycle of guilt, broken families, and one’s conscience taking its place in the center of an amphitheater for everyone to throw stones at; while Heat-Moon’s prose told us that a “... journey into the land is an opening to escape limitations of inadequate learning and go beyond bonds of prejudice and get past restrictions of ignorance.  Such a trip is an invitation to listen to new voices--within and without--that will speak and inform.  It's an opportunity to put a face on a country, a face composed of smiles, grins, scowls, of concerns, hopes, and dreams, all of them more useful on a human visage than on a yellow lapel-button or a road map.”
Skvorecky, Doig, Salter, Dubus, Least Heat-Moon, Harr
             Margaret Drabble’s The Gates of Ivory started March 2013.  Followed by the very charming and inventive A Heartbreaking Work of Staggering Genius by Dave Eggers.  Kent Haruf’s Benediction     was especially moving what with the parent diagnosed with terminal cancer (less than 1 year after my own mother received the same news) and the attempts to reconnect with an estranged son.  2666 by Roberto Bolano was fascinating; no literary slouch he, Bolano carries you from one artistic, academic sphere to another while enveloping you in intrigues with nothing short of a Nazi and a serial killer.  The Lost Painting by Jonathan Harr was sheer torture.  Stories [35] by Muriel Spark reinforced my adoration of her work.  My nonfiction titles, Atlantic: Great Sea Battles, Heroic Discoveries by Simon Winchester, and Confederates in the Attic by Tony Horwitz, were absolutely fantastic.  I’ve become a devotee of both men.
Drabble, Eggers, Bolano, Haruf, Winchester, Spark, Horwitz
             April began with Nocturnes by Kazuo Ishiguro.  Then came The Satanic Verses by Salman Rushdie.  One of the funniest books I read all year, informative, and beautifully written.  It’s too bad that a huge portion of the world has lost its mind.  Breakfast in the Ruins by Michael Moorcock was not as good as the previous ones I’d read, but it was okay.  The Game Players of Titan was very good, as I’m not a huge sci-fi reader, Philip K. Dick does not disappoint.  The Radetsky March by Joseph Roth is not for everyone, and neither is the Austro-Hungarian Empire from 1859 to 1918, but I have an affinity for German Romanticism and Roth is a powerful writer.  I continue to be a fan of this man, who met an untimely death in 1939, and of his work.  I concluded the month with A Far Cry from Kensington by Muriel Spark, which I liked, and recommend to my Anglophile friends and family out there.  And what a great read was Gustavo Arellano’s Taco USA, which gave me a thorough examination and history of Mexican, Spanish, Tex-Mex, Cali-Mex, food and drink.
Ishiguro, Rushdie, Moorcock, Dick, Roth, Spark, Arellano
             A second reading of The Double by Fyodor Dostoyevsky began May.  Not one of Dos’s big books but the absurd nature of life described there in, along with hallucinatory episodes, definitely presages works by Kafka, Goncharov, and Bunin.  Another Kent Haruf book, Where You Once Belonged, is an earlier one, and a precursor to the two books I loved the most by him (Eventide and Plainsong).  Second reading of Fifth Business by Robertson Davies, and one can’t go wrong with his books.  I started to like Sweet Tooth by Ian McEwan right away; it had shades of Le Carre and Anita Brookner, but then by the last of it I was glad to be done with it: it had degenerated into saccharin, predictable, inevitability.   And then came another book by John Le Carre, his  latest, A Delicate Truth.  Not as intricate as earlier books, nor as dark, it was nevertheless an enthralling read.  The Bean Trees by Barbara Kingsolver (her first book) is a good book.  I so look forward to reading her work, although I’m behind in a few volumes.  New Ways to Kill Your Mother by Colm Toibin has to be one of the best books I read all year.  Not only did it give me encouragement to deepen my writing it authenticated me and every other writer who deals with insecurity on one hand and backward literary historical ignorance on the other.  Here’s one of my favorite excerpts:

"...all fiction comes from a direct source and makes its way indirectly to the page or the stage.  It does so by finding metaphors, by building screens, by working on half truths, moulding them towards a form that is both pure and impure fabrication.  There is simply no other way of doing it.  Most plays, novels, and stories use the same stealthy process.  [Sebastian] Barry, by stealing [Charles] Haughey, simply exposed an age-old system.”
Haruf, LeCarre, Dostoyevsky, Davies, Kingsolver, Toibin
             I thoroughly enjoyed The Corrections by Jonathan Franzen, which started off the month of June, followed by Confessions of a Crap Artist by Philip K. Dick, a very strange novel, not science fiction, not for everybody.  Then came Stoner by John Williams and Half Broke Horses by Jeannette Walls, both very good, both very recommended.   The nonfiction title, The Big Oyster by Mark Kurlansky, is a must read for those of us who love seafood, scientific and anecdotal history, and New York City. 
Franzen, Dick, Wallis, Kurlansky, Williams
             The official summer began with Wait Until Spring, Bandini by John Fante, this roman a clef, a good one, had me laughing and at the same time apprehensive about what was to come in this man’s life, the character’s life, considering what Fante’s childhood was like.  My friend Joe Savino has met Fante’s daughter a couple of times.  Hey, when it comes to celebrity sightings you take ‘em when you can get ‘em.  Quicksilver by Neal Stephenson is brilliant.  This historical novel book is ripe with episodic adventure and wait a minute, you might learn something about 17th century England, France, and the American colonies.  My friend Jim DeRosa turned me on to this author, and I’m glad he did.   Give Us a Kiss by Daniel Woodrell was a weird follow to Quicksilver, but then that’s the glory of reading.  A crime novelist returning to his home in the Ozarks getting mixed up with the marijuana cash crop matrix.  It was a good read.  It was a very different and closely human point of view that emerged from the blood of July 1863 in Ralph Peters’ Cain at Gettysburg.  If you like history, the Civil War, and the souls of good men, I recommend it.  The other favorite book of the year is the beautifully written, and I mean beautiful, and intelligently presented Arctic Dreams by Barry Lopez.  I kept downloading pictures of the arctic landscape to be my background pictures on my computer, I kept thinking about if I won the lottery there’d be a visit to the Arctic Circle in my future (after a visit of course to Adventure 16 or REI).
Fante, Stephenson, Woodrell, Peters, Lopez
             And then August brought me the latest by Barbara Kingsolver, she's one of my heroes.  Flight Behavior encompasses rural Appalachia, hard times in the current economy, with a mix of” climate science and human need” running alongside “forces both biological and biblical.” (Mari Malcolm)  Jeremy's Version by James Purdy, a book right up my Family Closets and Kinfolk History street.  Purdy wrote this novel after the death, from cirrhosis, of his old brother.  Anne Tyler’s Amateur Marriage followed (this was a good book) and then came a hive-producing, ingrown-toe-nail pain of a book:  Cartesian Sonata and 3 other novellas by William Gass.  Experimental, form-and- flippancy-over-meaning narrative in fiction has always given me high blood pressure. It reminded me of another tedious and terrible book, Smuggler’s Bible by Joseph McElroy.  I haven’t given up on Gass, though, as I’m still interested in reading his huge novel The Tunnel.  But really. 
Purdy, Tyler, Gass
            Another superb book by John Fante, Ask the Dust, began September.  Close Range by Annie Proulx had its moments, few as they were.  I liked Philip Roth’s 1977 novel The Professor of Desire, but then I did not like John Fante’s The Road to Los Angeles; surprisingly, this Fante book was vitriolic in its hatred of almost everything.  I understood why the book, written in 1936, was posthumously published in 1985.  It would not have helped his career had it come out when written.  The meat and potatoes, spaghetti and wine, were forsaken for the mental illness of life among the Los Angeles down and outers.  The second Neal Stephenson book completed September: King of the Vagabonds; a disappointment when compared to Quicksilver.  It was more a contest between the sexes than an historical and scientific adventure like the preceding book.
Proulx, Roth
             I really liked Romain Gary’s The Roots of Heaven.  It is as incredibly relevant today as when it was first published in 1958, with the enduring theme of preserving animals from extinction being well-known and common to us all.  In this book, however, the preservation of wildlife in Africa becomes an allegory for the freedom of humanity.  The main character’s belief in stopping the senseless obliteration of elephants by bounty hunters and thrill seekers is matched by the marginalizing of the average human being, workers being replaced by robotics, basic human dignity being thrown into the gutter for the sake of profit, slavery in all but name practiced in many of the countries from which we buy our goods.  In this book, an elephant’s life is cheap, nonexistent, unimportant.  How different is it for the common soul of today?   October continued with another John Fante book, The Brotherhood of the Grape.  I loved this book.  And it was a joy and a relief to read the third Neal Stephenson novel in the Baroque Cycle: Odalisque.  Brilliant book.  And completing the month was a book of short stories by John Fante; loved this book as well:  The Wine of Youth. Savage Beauty: Biography of Edna St. Vincent Millay by Nancy Milford is a fairly decent attempt to unravel a complex, beautiful, talented, brilliant, adventuresome and tragic poet/short story writer.  I have read better biographies; this volume seemed to fertilize most of the pages with journal and letter excerpts, with sparse biographic commentary, which I personally enjoy.
Gary, Milford
             In November, I didn’t actually finish any fiction; but I did concentrate on my nonfiction.  Unbroken by Laura Hillenbrand is one  profoundly moving biography of Louis Zamperini, an Italian-American former Olympic gold medalist, who was a prisoner of the Japanese during WWII.  It was horrifying in its depiction of human cruelty, it was mystifying in how Zamperini and his comrades survived, and if you’ve read or seen All My Sons by Arthur Miller, you will have a good idea of why so many airmen died because the machines they were flying were made so badly.  The statistics that Hillenbrand provides are stomach turning.  American manufacturers in 1940-1942 should have been keelhauled and then fed to pigs.  But back to Zamperini in the POW camp.  There is a good article in the January 2011 issue of Military History magazine entitled The Culture of Cruelty by Mark Felton.  It discusses how Japanese forces murdered millions of civilians and POWs and why.  A History of God by Karen Armstrong rounded out the month.  I found this book especially enlightening, as it provided a readable and erudite history of how man created God, including Judeo-Christian-Islamic roots in earlier god-creating cultures. 
Hillenbrand, Armstrong
            I went to town in December, mostly because there was time off from December 23-January 2 from my job.  The roll all began with The Sense of an Ending by Julian Barnes.  I didn’t think this was up to his usual level.  I don’t recommend it.  Then again, I didn’t like Flaubert’s Parrot, which was very critically praised.  Red Gold by my man of the dark shadowy underworlds of World War Two: Alan Furst.  I have not yet been disappointed by Furst.  I love reading his books and can’t wait to resume.  The Story of the Night, by Colm Toibin was disappointing.  I like Toibin, I’d love to live where he does in Dublin, Ireland, in a four-story townhouse, he is brilliant, but this one particular volume, I’d have to say was 50/50.  Mocking Desire by Drago Jancar introduces us to one of Slovenia’s favorite sons.  A Balkan writer doing a stint in New Orleans, it brings one to ethereal levels.  Fraud is my first foray into the work of Anita Brookner.  I quite liked it; her writing is intelligent, organic, and I’m looking forward to reading Hotel du Lac and The Debut.  The Flame Throwers by Rachel Kushner was supposed to be something big.  It wasn’t. I have no idea what this book really was about.  And neither do the characters.  My first reading of a Charles Bukowski novel, Ham on Rye, had me laughing out loud, and not always because something was funny.  The accounts of an abusive father in the protagonist’s hard-luck world are heartbreaking.  December’s fiction experience ended with another good book by Alan Furst, Mission to Paris.  There are some strange, sad people in Ian Frazier’s book, On the Rez, recounting the unfortunate story or stories of the Oglala Sioux, using his friend Le War Lance and his visits to the Pine Ridge Reservation as focal points. 
Barnes, Jancar, Brookner, Bukowski, Frazier, Kushner