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| Grace Paley |
He had had a habit throughout the twenty-seven years of making a narrow remark which, like a plumber's snake, could work its way through the ear down the throat, halfway to my heart. He would then disappear, leaving me choking with equipment. [ from "Wants"]
I know you Kitty. You're one of that crowd. You're the kind thinks the world is round. Not like my sister, he said. Not Anna Marie. She knows the real shape. She lived, Anna Marie. What did she have, when she was a kid, what'd my father give her, a little factory to begin with, embroidery, junk, but she's shrewd and crooked and she understands. My two brothers are crooked. Crooked, crooked, crooked. They have crooked wives. The only one is not crooked, the one who is straight and dumb like you Kitty, he said, dragging her to him for a minute's kiss, is her husband, Anna Marie's. He was always dumb and straight, but they have got him now, all knotted up, you wouldn't unravel him if you started in August. [ from "Come On, Ye Sons of Art"]
There is a family nearly everybody knows. The children of this family are named Bobo, Bibi, Doody, Dodo, Neddy, Yoyo, Butch, Put Put, and Beep. Some are girls and some are boys. The girls are mean babysitters for mothers. The boys plan to join the army. They are very narrow-minded. They never have an idea. But they like to be right. They never listen to anyone else's ideas. [from "Gloomy Tune"]
I have to tease a little to grapple any sort of a reply out of her. But mostly it doesn't work. It is something like I am a crazy construction worker in conversation with fresh cement. Can there be more in the world like her? Don't answer. Time will pass in spite of her slow wits. [from "Distance"]
Paley, Grace. Enormous Changes At the Last Minute, New York: Farrar, Straus, & Giroux, 1999.
